Frontline - The Choice A

Frontline - The Choice
A new process for coloring black and white films, employed by Scorsese in The Aviator.
Qurio.com is an interesting photosharing option for Windows users. It serves photos directly off of your computer, through your high speed Internet connection, so you don't have to upload photos to an external site.

Remains of a weekend

I haven't set up my television here in NYC, and before that I was traveling for months so I had just sporadic access to a television. I haven't missed it nearly as much as I thought. It's given me time to read and enjoy life outside my apartment. I'm sick of reality television, have no need for CSI: Minneapolis ("Hmm, I think Steve Buscemi died when his partner axed him in the head and put him through the wood chipper. Yaaaa, I do."), and any television show I really want to watch can usually found on BitTorrent. For example, the clip of Jon Stewart on Crossfire as he bitch-slapped Tucker Carlson. Deeply, deeply satisfying. I can't stand Tucker Carlson. What a buffoon. If you don't know how to use BitTorrent, you can see the clip just fine here at iFilm. Could Jon Stewart be any more golden right now? I walked by the Union Square Barnes and Noble when he was there for his book signing, and by the looks of the drooling women in line, you'd think Jude Law or Brad Pitt was there to sign a swimsuit calendar.
Of course, I must have my television set up by this Thursday, when The Office Christmas Specials (part 1, part 2) air in the U.S. on BBC America. I tried to find it on DVD in London this summer, but all I could turn up was pity from Londoners who tsk tsk'd as they revelled in recounting the rapture of humor the special had bestowed upon them. The DVDs? Release in the UK Oct. 25. If you haven't seen the show yet, I either pity or envy you. And who the hell are you and where have you been living?! The show has no laugh track, because you'll provide one. But don't take my word for it. The New Yorker calls it perfect.
Malcolm Gladwell writes about the high cost of prescription drugs with his usual (i.e., unusual) insight.
Wal-Mart.com, of all sites, has audio clips of the Friday Night Lights soundtrack. I'm just about over my Friday Night Lights kick. After watching the movie I bought the soundtrack and inhaled the book (recommended and recommended, respectively). The music has been a nice change of pace from the usual stuff in my "Running" playlist in my iPod, all of which I've heard about eighty times by now.
The baseball stadium in Houston is a joke. People are hitting pop flies out of the stadium in left field for home runs, and that hill with the pole in it in center field is ludicrous. What an atrocious baseball playing field (I've never seen the exterior, but it seems fine). The fact that all baseball stadiums have different dimensions in the outfield used to never bother me, but if they standardize the dimensions of all playing areas of all MLB stadiums, allowing architects to customize all other aspects and dimensions of the stadium, I'd have no objections. Imagine one NBA basketball court having baskets nine feet high instead of ten, or a three point line that was shorter than in other stadiums.
Games 3 and 4 of the ALCS were brutal. Each game lasted about two days. Alan, Sharon, and I rented a movie, started watching when game 3 started, and when the two hour movie finished that game was in the fourth inning. I don't know how anyone who's not a Yankees or Red Sox fan could stay awake. I remain steadfast in my hope that MLB will speed up the games. If you adjust your batting glove and then stand there to take a pitch, why do you need to step out and adjust it again? Is the velcro defective?
I met James, Angela, some of their college friends, Alan, and Sharon for lunch at Carnegie Deli today. The Carnegie sandwiches are MASSIVE. RIDICULOUS. I had a reuben, their specialty, and it was actually just a mountain of pastrami covered by several layers of cheese. It looked like an elementary school model of Mt. St. Helens erupting cheese. I finished about a quarter of it and will nibble on the remains for the rest of the week. Carnegie Deli is a mecca for pastrami and corned beef lovers.
I didn't miss my car until I saw this promotional clip for the new BMW M5. Sweet mother of...sometimes, late at night, when the subway seems like it will never arrive, wouldn't you just like to hop into something like this and just play Pole Position with the cabs.
NYC's arts lineup is overwhelming. Everyday I find at least five things I'm dying to go see. Monday night (oh, that would be tonight) Ricky Gervais is speaking at the Museum of Television and Radio before a screening of The Office Christmas Special. I'd kill to see Julie Taymor's production of The Magic Flute (Die Zauberflöte) at the Met. Alex Ross raves about it. What stops me is the memory of my first NYC credit card bill. Upon opening it and reading the balance, I screamed, dropped the bill, my eyes rolled up into my head, and I fainted theatrically, like a swooning movie diva.
The weekend ended with puppet entertainment. No, not the marionettes of Team America World Police, but the puppets of Avenue Q, the much acclaimed musical that won the Tony for best musical in 2003. I am not a huge musical fan, but I enjoyed this one for not taking itself so seriously. It offers quite a contrast to the melodrama of most musicals and seems a descendant of the Rent lineage of musicals, one that's sadly sparse. The show features a cast of puppets and people who live in a rundown neighborhood in Manhattan as they sing about life and its problems. But these are HBO-class puppets, not Sesame Street or Jim Henson muppets (even though some of the characters really resemble Ernie and the cookie monster), so they swear, drink, and have sex. As Phil said at intermission, it might not a musical you'd be comfortable seeing with your parents. The puppets are held by actors who stand alongside them as puppeteers, singing, with their hands clearly inserted up into the puppets or waving their arms around. It's jarring for just the first few seconds, but then, the rest of the time, as the cast sings songs like "Everyone's a Little Bit Racist" or "The Internet is for Porn" or "Schadenfreude", you realize it all feels on some level like a clever deconstruction of the musical as an art form. Would Kermit and Miss Piggy have grown up to be a dysfunctional married couple? Would Bert have come out of the closet to confess his love for Ernie? Would Big Bird be surfing porn on the Internet? I'm of the generation that wouldn't find those stories surprising at all, and I'm glad some musicals have caught up.

Newspapers issue endorsements

Newspapers across the country have seen enough to issue their presidential endorsements. I've tried to link up to the editorials I could find without too much trouble.
A sampling of those papers endorsing Kerry:
NY Times
San Francisco Chronicle
Minneapolis Star Tribune
Boston Globe
Philadelphia Inquirer
Seattle Post-Intelligencer
The Atlanta Journal-Constitution
Detroit Free Press
Arizona Daily Star
The Oregonian (Portland)
The Seattle Times
The Philadelphia Daily News
Most of the free world
For Bush:
The Chicago Tribune
The Arizona Republic
Dallas Morning News
The Oakland Press
Las Vegas Review-Journal
Tulsa World
The Union Leader
Savannah Morning News
The Pueblo Chieftain
Amarillo Globe-News
The Leaf-Chronicle
All this of course doesn't guarantee any election victory, as many of the papers endorsing Kerry this election endorsed Gore last time around.

GOOGL B(E) 10003

Google SMS. Keen.
B to the E power?! B(E)? I can just see shouting this over heavy techno music to a bartender at a club.
"Can I have a B(E)?"
"What kind of beer?"
"NO, A B(E)!"
"A BEER? I KNOW! WHAT KIND?"
"A B TO THE E!"
Firefox extensions for BugMeNot.com.
They don't have GMail Drive shell extension for Mac users, but I've been using my GMail account like that all along. I don't really receive any e-mail at my gmail account. I just forward files and messages there for storage and easy search/retrieval later.
Kerry is trailing again in the Electoral Vote Predictor, 264 to 270. These debates do seem to matter, though it's just a guess on my part. Bush started out like a shrill screamer again, but he hung in and landed several effective blows in debate #2.
I AM LEARN is a weblog written by a Perl script.
Carl Lewis vs. William Shatner in the celebrity-turned-musician category. Advantage Captain Kirk. Seriously, he has Ben Folds in his corner as guest producer, he did a cover of Pulp's "Common People", so he has taste, and guest appearances include Aimee Mann, Joe Jackson, and Henry Rollins.
Mark Cuban passes on "the handjobber."
Humorous exchanges between pilots and air traffic control towers.
Tricks of the Trade continues on in weblog format.
The saying "You want to have your cake and eat it too" makes no sense. If it's my cake, why can't I eat it? It makes more sense as "You can't eat your cake and have it too."
While I was in France and the UK this summer, I saw the new Smart Car Roadster and Roadster-Coupe. They looked smart. Now the Smart Car is coming to the U.S., with an American-friendly SUV among the optional models. Chouette!
The next Pixar short is Boundin'.
Okay, this is fairly stale, but it's still the best suggestion I've seen yet about how to cure the ills of USA Basketball.

In other news...

politics.slashdot.org - a limited edition flavor of Slashdot available through the 2004 election.
Roger Ebert's very own website, a work in progress, using most of the same material as his current Suntimes site.
Why are foreign language movie subtitles so bad? Is it similar to the reason television subtitles are so bad: the method of transcription? I always wondered how those court reporters typed so quickly. You'd think movie subtitlers would just work off of the shooting script, but perhaps not. All I know is that I rented the American release of Shaolin Soccer to show Eric, and we nearly wet ourselves at some of the English subtitles. They added a further level of absurdity to an already absurd comedy.
Good TMN interview with Alex Ross about the state of classical music. True, the future of classical music seems dire, but then again, every baby I know is transfixed by Baby Mozart. Alex Ross, the music critic for The New Yorker, also has his own weblog titled The Rest Is Noise.
You can

Clinton has heart attack; rumors of quadruple bypass

Those are the initial reports. Google News has the first wave of stories.
Eric suggests the reality show for me: Ivana Man. Since all reality shows get reversed, soon we should have Lolita Man, in which ten wealthy, fifty-something men compete for the affections of a just-turned-eighteen year old girl.
Sports Guy selects 1984 as the greatest year of the ESPN era, bringing up painful memories of the 1984 Cubs-Padres NLCS series. Game 5 was the one and only time I cried at the outcome of a professional sporting event.
Three people die in crush of shoppers invading a new IKEA store in Saudi Arabia. (via BoingBoing)
Oh Mickey you're so fine...

Trampled by elephants

American Voice 2004 provides a good overview of conservative and liberal stances on a broad list of issues.
James Surowiecki on convention economics. Me, I'm glad to be away from NYC during the RNC.
A Yale economist has built a regression-based model which he claims is quite accurate. It predicts Bush will win 58% of the vote in capturing the 2004 election. The usual caveats about regression models apply (you can tinker with regressions until they do a great job predicting the past, but that's no guarantee that the same equation and variables are a great predictor of the future). Meanwhile, The Iowa Electronic Markets now grant Bush a substantial lead in the 2004 election winner-takes-all market (a $1 share of Bush pays some $0.55 while a $1 Kerry share only pays $0.45). It's amazing that the Republicans, with a candidate who likely tried to get out of serving in the military, could put the Democrats, with a candidate who has medals up the yin yang, on the defensive and center all media coverage on the validity of Kerry's decorations. And then Bush comes in and tries to take the high ground by urging a halt to 527's and to any questioning of Kerry's military record. If Bush and his allies were behind the Swift Vet attacks, it was a masterful campaign gambit.

Politics

A few interesting reads on how people choose their political affiliations and candidates...
Louis Menand surveys a body of political science books (Winning Elections: Political Campaign Management, Strategy & Tactics, the classic article "The Nature of Belief Systems in Mass Publics" by Philip Converse which is available in the OOP book Ideology and Discontent by David Apter, The Reasoning Voter, "Unenlightened Self Interest" by Larry Bartels in The American Prospect, Culture War? The Myth of a Polarized America) and summarizes their arguments of how voters choose who to elect. Well worth reading for those suspicious of whether or not ideas matter the most (or at all) in a democratic election.
Steven Berlin Johnson cites a U.C.L.A. study that indicates that conversative and liberal brains may react differently to various ideas and stimuli. It's still unclear whether this phenomenon really exists, and if so, what is cause and what is effect.
Matthew Yglesias argues that Bush's past three years proves that intelligence really does matter more than character in a president. Aaron Sorkin made that exact argument in several episodes of The West Wing, most notably in "Hartsfield's Landing" in season three. The episode addresses Gore's avoidance of the intelligence argument in the 2000 election. President Bartlet says to Toby: "If a guy is a good neighbor, if he puts in a day, if every once in a while he laughs, if every once in a while he thinks about somebody else and above all else if he can find his way to compassion and tolerance then he's my brother and I don't give a damn if he didn't get past finger painting. What I can't stomach are people who are out to convince people that the educated are soft and privileged and out to make them feel like they are less than, you know, 'He may be educated but I am plain-spoken like you.' Especially when we know that education can be the silver bullet. . . . for crime, poverty, unemployment, drugs, hatred."

click click click

Jessica Alba can't escape being cast as a comic book fantasy. She'll play Nancy in Sin City. Hellllloooo, Nancy. She'll also play Invisible Girl in the Fantastic Four movie. Why would anyone want Alba to be invisible? Can we make her new boyfriend Derek "Overrated" Jeter invisible?
How to fold a t-shirt in two moves (.mpg), as seen in Esquire. Gives me the goosebumps.
Movie Ministry (as seen in Time magazine) - need to tie your sermon in to a movie in theaters now?
Dusty Baker calls Sammy Sosa sensitive for refusing to be moved out of the 3 spot in the batting order despite being in a horrendous slump. The truth hurts; Sosa is a sensitive prima donna.
Quicktime trailer for Fight Club, the videogame. Looks like you can choose to play Bitch Tits. With x-ray cam cut shots a la Romeo Must Die.
Martin Scorsese Collection coming on DVD. Richard Linklater's Slacker gets the Criterion Collection treatment, as does Battle of Algiers. The Best of Triumph the Insult Comic Dog also arrived on DVD, just this week. Sweet.
Use the popular vote, not the electoral college to elect our president - Amen.
Great little article by Louis Menand on Michael Moore and the history of the documentary. Where and when did we get this notion that documentaries were supposed to be completely unbiased?
Confessions of a Questec operator

Polls versus markets: which crowd is wiser?

The Electoral Vote Predictor, based on polling data from each state, currently has Kerry winning key swing states like Ohio and Florida to capture the election.
The Iowa Electronic Markets (IEM), cited in a wide range of texts as evidence of the predictive power of free, open, and thus efficient markets (IEF was most recently cited in The Wisdom of Crowds), has Bush ahead as Dubya's shares are outselling Kerry's by a bit ($0.52 for a share of Bush, $0.49 for a share of Kerry at my last check) in the 2004 US Presidential Winner Takes All Market.
Markets have slightly outperformed polls over time, as noted by this study from the IEF (PDF file). This tight and hotly contested election should be a great test to compare these two predictive methods.

Farenheit 9/11 sets box office records for a documentary

Playing on only 868 screens and rated R, Farenheit 9/11 still won the weekend box office crown by pulling in $21.8 million and in the process became the top grossing documentary of all time.
It could have opened on more screens and tried to bank more business before the Spiderman 2 onslaught this weekend, but I suspect the movie will benefit from strong word-of-mouth.
I'd be surprised if Spiderman 2 doesn't shatter all the weekend box office records over the July 4 weekend. They cut an awesome set of trailers and commercials, and unlike Farenheit 9/11 Spidey will show up on a bazillion screens Wednesday.
In front of one of them I shall be.

Review: Farenheit 9/11

Those desperate to see George Bush defeated in the November elections must have hoped that Farenheit 9/11 would put a dent in his seemingly impervious polling numbers. In this polarized political environment, where Democrats and Republicans turn their backs on each other to whoop up their respective choirs, it would take a documentary nearly free of bias and charged rhetoric to kick-start any true dialogue.
Michael Moore is not that type of documentarian, nor does he profess to be. Moore can't resist any opportunity to ridicule his prey, to get in the cheap shot or the easy jab, or to project himself into the picture to push buttons when he should be behind the camera. And God bless him, all democracies need their populist rabblerousers, though in this year of all years I wish he could have resisted the urge. It would have strengthened the persuasiveness of his message, though how could Moore resist a target like Bush? Charlton Heston in Bowling for Columbine was senile and evoked a reflexive pity; Bush is dangerously smug in his convictions for someone who most believe to have the intellect of your typical fraternity president.
The first two-thirds of the movie are edited for maximum humor: Bush on vacation, Bush golfing, Bush clowning around. Moore shows Republican leaders being primped for television interviews and speeches, including Paul Wolfowitz licking a comb before running it through his hair. Is that to imply Republicans are vain? It's a weak jab, especially as Democratic politicians must go through the same process.
Other bits are hilarious. I've seen the last clip of Bush several times ("There's an old saying in Tennessee - I know it's in Texas, probably in Tennessee - that says, fool me once, shame on - shame on you. Fool me - you can't get fooled again." ), yet it never fails to delight. Moore edits clips together in sequences that put Bush and his staff in as foolish a light as possible, and the accompanying music is a hammer onto itself. Moore has never used music to better effect.
Many in the packed opening-night crowd I saw the movie with were whooping and hollering at various Bush gaffes and verbal slips. I admit to feeling a cathartic glee at jeering Bush with a partisan audience, as if Moore were providing a channel to release nearly four years of pent-up frustration and indignation. It's the same feeling as when I'm derisively cheering the error of a Cardinal with 40,000 fellow Cubs fans at Wrigley.
Which is to say it's just more of the same, and that may not be enough. Bush has been the object of scorn and the butt of jokes for years now, and yet he still polls either neck and neck or ahead of Kerry. It's a challenge. We love our gadflies to sting hard, and with defiance, and nobody does that like Moore. It feels so liberating to skewer the White House. But in these times, Moore may only further polarize the country.
Moore also can't stay behind the lines and leave good enough alone. He narrates most of the first half of the movie, and he appears in many of the clips. He also pulls several more of his patented first person stunts, like renting an ice cream truck to drive around the hill reading the Patriot Act over a loudspeaker because many of the Congressmen had failed to read it. He accosts other Senators and House Representatives on the street to ask if they'll enlist their own children to serve in the military in Iraq. Not only are these stunts childish, they border on unseemly self-promotion. At times, Moore is like the boor who expresses your own opinion in such a vulgar manner that you're somewhat embarrassed to have him on your side.
It's a shame, because when Moore lets his material speak for itself, he's very effective. The footage of George Bush reading to schoolchildren for a good seven minutes after the two planes had crashed into the World Trade Center are shockingly bizarre. A montage of House Representatives, mostly minorities, refusing to concur with the Supreme Court's decision to hand the 2000 election to Bush, standing to protest only to be silenced by none other than Al Gore, the head of the Senate at the time as the exiting Vice President. It's a passage that both maddens and saddens. Footage from Iraq shows innocent Iraqis killed and maimed by the war, very little of which was broadcast by the U.S. press, another group Moore turns a spotlight on for giving Bush and his cronies a free pass on too many issues. Not much of the material will be new to those who have listened to the liberal chorus these past three years, but stitched together one after the other, it's an eye-opening refresher as to how not just liberals but much of the world views our current government.
And about two-thirds of the way through the movie, a hero emerges. Lila Lipscomb gives the movie a moral gravity and heart that anyone, Republican or Democrat, can feel. Her grief over losing her son in the war in Iraq and her subsequent reversal in sentiment towards the war convey, in just a few short scenes, what those on the fence about Bush need to know. Her outrage emanates off the screen with an energy that silenced the audience in the theater.
There's meat in this movie, if you are willing to search for it beneath the excess of sauces and garnishes and sides. It's a movie that I hope has long legs and that I wish had more poise.
[Footnote: Farenheit 9/11 sold out all over Seattle, and I've never seen that for a documentary. It will clearly surpass Bowling for Columbine as top-grossing documentary of all-time, and it's per-theater averages this weekend will be through the roof. It's the type of energy I usually only feel with opening night crowds for action blockbusters like Star Wars or Lord of the Rings. It's one movie whose coffers I have no problem contributing to.]

Fahrenheit 9/11--sold out

A group of us were going to try and see Fahrenheit 9/11 tonight, but the two West side theaters showing the movie here in Seattle sold out all prime time showings yesterday. That's quite surprising for a documentary, a movie that isn't something like Lord of the Rings or Spiderman. Controversy is good business.
I wonder if it's selling out in more Republican regions of the country?

In memoriam

The next best thing to being at Reagan's funeral is this slide show of photos by Pete Souza, set to music. Powerful stuff, even if you weren't a Ronnie fan.
The military and the government--they sure know how to throw a funeral. The contrast between the very real human emotions of the loved ones left behind and the military precision of the formal ceremonies (like the soldiers standing at attention or the jets flying in formation) pulls everything into stark relief.