Drip drop drip drop


The radiator in the apartment upstairs sprung a leak, so I this week I had to put buckets and towels out to collect the dripping water through my ceiling. What started as a tiny, spherical water stain slowly spread and morphed into a giant, unsightly, urine-colored drip painting. The upstairs tenant was out of town, and the super didn't have a key. All night, I listened to the metronomic plip...plop...plip...plop of drops of water cliff diving into my bucket. I felt like Hitomi from Hideo Nakata's Dark Water (or Jennifer Connelly from the upcoming remake).


Next installment of JibJab: [Bush's] Second Term


John Hollinger picks his NBA All-Stars


Steve Jobs to deliver Commencement speech at Stanford in 2005

Great...my commencement speaker was William Perry


Google plans to offer a tag that will help bloggers to signal the search engine to ignore links in comments, hopefully neutering comment spam

It will also render eliminate the Googlerank value of legitimate comment URLs, but that's a minor side effect in my mind. I despite comment spammers


Autumn Thunder: 40 Years NFL Films Music

A 10 CD box set featuring the martial tunes from NFL Films. Great background music for that Superbowl party with your buddies. All that's missing is narration by Steve Sabol and Harry Kalas


Over holiday break, we watched Anchorman: The Legend of Ron Burgundy on DVD

That will surprise no one who knows of me and my unhealthy love for Will Ferrell. Now, Anchorman is by no means a classic or even a good movie (I'm not going to bother reviewing it), but no true devotee of Ferrell's oeuvre would miss it. Without seeing it, I wouldn't understand the subtext and nuance of half the things my brother James says, and now the same can be said for people who speak to me. I do think it's cheesy that the studio forces you to buy a more expensive DVD giftset in order to get the Wake Up, Ron Burgundy supplemental disc that contains Burgundy's other two interviews from the MTV Movie Awards (Burt Reynolds and Jim Caviezel--"Tell me, Jesus, do you ever use your superpowers in games of chance?"). The video of Will and the gang covering Afternoon Delight by Starland Vocal Band (excerpt)...well, let's just say, if you don't think it's good, I will fight you. Anchorman was also geographically relevant to our family vacation, the movie being set in San Diego.


Ron Burgundy: The Germans discovered it in 1904, and they called it "San Diego", which in German means "whale's vagina".

Veronica Corningstone: No, I don't think that is what it means. No, it doesn't mean that.

Ron Burgundy: I don't know. I was just trying to impress you. I don't think anyone knows what it means anymore. The translation was lost hundreds of years ago.

Veronica Corningstone: Doesn't it mean "Saint Diego"?

Ron Burgundy: ...No. No, that isn't it.

Veronica Corningstone: No, I'm pretty sure that's what it means.

Ron Burgundy: Agree to disagree.


To distract free throw shooters of the visiting team at a basketball game, wave your thundersticks in unison, rather than randomly (maybe)


Wacky warning labels and past winners

Warning on can of self-defense pepper spray "May irritate eyes" and a waring on a fireplace log warns "Caution - Risk of Fire"


Could thousands of people have been saved from the tsunami if notified via cell phones or the Internet?

Interesting question that many probably wondered as they watched news videos of people hanging out while waves began to climb higher and higher up the shores, oblivious to the much deadlier waves racing their direction


3 DJs suggest wedding mixes

One of them opened one wedding with "Love Will Tear Us Apart" by Joy Division, I hope as a joke. Dan Finnerty lists "Making Love out of Nothing at All" as the most inappropriate song for a wedding.


Dell CEO Kevin Rollins calls iPod a fad like the Sony Walkman

Rollins needs to rethink his business analogies. The Walkman was one of the most successful consumer products in history, and just because Sony couldn't recognize when portable music players morphed from Discmans to portable MP3 players doesn't mean Apple will make the same mistake


Company creates downloadable cards for reprimanding rude cell phone chatterers

New Yorkers have a simpler method. At the U.S. Open last year, a man took a business call during a semifinal match. When it was clear he didn't plan to either leave the stadium or cut the conversation short, several other fans stood up and shouted at him with a menacing glare, "Hey, shut the f***ing cellphone off!"


Denali Fitness


Sang quit his job in Seattle to open a gym with Dave C. Denali Fitness (logo by the lovely and talented Juli) replaces the old Madison Park Sound Mind & Body. Good to see his own thing, and even better that it's something he'll enjoy. I believe that most people have a cap to how happy they can be, some internal equalization that stabilizes our state of mind over time, but the floor to our unhappiness is much lower than the cap to our happiness is high.


If you're in the neighborhood, drop in at Denali and work out on cardio machines fitted with televisions.


Meanwhile, I'm waiting for Denali to open a New York City branch. With temperatures dropping below 10 degrees, and since I feel like I gained seventy-five pounds over holiday break, I've begun researching Manhattan gyms. It's not a pretty picture. Prices are as high as my gut is voluminous. I haven't been able to pull the trigger in the face of crazy initiation fees and monthly dues, required year-long commitments, all for rather middle-of-the-road facilities. The best NY gyms charge exorbitant fees. The backup plan is lots of push-ups, sit-ups, and riding on my bike trainer while listening to "You're The Best" by Joe Esposito on my iPod.


ICE


For Christmas, Karen got me a gift certificate for the Institute of Culinary Education in NYC. Today I signed up for Knife Skills Workshop 1 and Techniques of Fine Cooking 1. My goal is to learn to chop vegetables and throw knives like Geena Davis in The Long Kiss Goodnight.


Cooking in NYC isn't always fun or worthwhile. My kitchen is the size of a hall closet, and so I have precious little counter space. And groceries are more expensive, so the cost benefit of cooking instead of going out to eat is often negligible. Still, every dollar counts, and so I plan to cook more in the coming year. My super lives down the hall, and she's always preparing meals for her family. The smell wafts down the hall and drives me insane, so cooking is also a way to send my own mouth-watering scents out my door to wage combat.


I received a copy of Jacques Pepin Fast Food My Way over the holidays, and I prepared pork chops the Pepin way the other day. Fast, simple, and tasty: all elements of an ideal NYC recipe.


Hurlyburly


I saw a preview performance of the David Rabe play Hurlyburly last night at the Acorn Theatre on Theatre Row. I hadn't seen the earlier productions on Broadway or the movie adaptation.


This production, directed by Scott Elliott, had the following cast:

Phil - Bobby Cannavale

Mickey - Josh Hamilton

Eddie - Ethan Hawke

Bonnie - Catherine Kellner

Darlene - Parker Posey

Artie - Wallace Shawn

Donna - Halley Wegryn Gross


The play revolves around the interactions of a couple cocaine-charged Hollywood types living in Los Angeles in the 80's. The play opens with Eddie lying on the sofa in his apartment, ass crack showing through his boxers, when Phil bursts in. From then on, I counted just a few moments when Eddie wasn't smoking dope, snorting cocaine, downing Jack Daniels or beer, or popping ludes or valium.


Phil is an emotional volcano, recently separated from Suzy (he explains after he burst in that he struck her during their latest argument), and you come to understand that their relationship is doomed to be tumultuous because Phil is unstable. He's always either breaking up with Suzy or trying to reconcile. Why is Eddie friends with Phil?


Mickey is Eddie's roommate, a smug, cynical, and saracastic slickster who receives most of the plays most comical lines (I can only imagine the zest with which Kevin Spacey played Mickey in the movie) and wardrobe (Josh Hamilton sports a porn star mustache and is constantly changing from one Miami Vice inspired outfit into another). Mickey seems to care about little but enjoys skewering all around him. Artie is a producer of some sort who drops in at one point with Donna, a stray he found in an elevator. He leaves her for Eddie and his buddies as a sexual "care package."


Most of them have artificial relationships with each other, but they don't care. At one point, Eddie asks Mickey after one stinging barb, "What kind of friendship is this?"


Mickey responds with a shrug: "Adequate."


At another point, Bonnie, a dancer and mother of one who the guys all know to be loose, is thrown out of her own car by Phil. She comes back to Eddie's apartment and laments, "This town is just mean." She seems oblivious to the fact that these guys, some of so-called chums, trade her about as a sexual asset, much as they swap Donna. Eddie is barely listening as he tries to center his own thoughts: "We're all just background in each other's lives."


The play is about 3 hours long, not including intermission, and nearly all of it is filled to the margins with rapid dialogue. At times, it lost me, as manic and drug-addled as it was. Over the course of three hours, though, I came to understand Eddie to be the one sensitive romantic of the group. He is smitten with a "dynamite" girl named Darlene, and he believes, for once, that he may have found true love. But when they finally connect, they speak the usual lines of romantic dialogue with a forced tone that exposes the superficial nature of their feelings. Deep underneath all the dense layers of circular dialogue are the remains of caring people, but years of drug abuse and cynical dealings have all but obliterated them.


I'm a huge Parker Posey fan, and she brought a wonderful physical comedy to her line readings. Hawke is suited to the role of Eddie, channeling that role's hyper sensitivity. He wants to care about others, but more than that he cares what others think of him. When Phil comes to lament his latest argument with Suzy, Eddie is all ears until he discovers that Suzy claimed to hate Eddie as well. He is stunned and instantly pre-occupied with why Suzy would dislike him.


There aren't any bad seats at the cozy Acorn Theatre. From my seat in the fifth row, I was at stage level, and I felt as if I was sitting on the stage. I left the theater nearly high myself from all the faux marijuana fumes from Eddie's pipe, and I could see clearly that one of the LPs in Eddie's collection was Technique by New Order. Ethan Hawke and Parker Posey looked like giants, and I felt as if I could reach out and pull Wallace Shawn's ridiculous hairpiece off. At some point, I'll grow accustomed to seeing such recognizable actors up close, but for now it's still a delight.


By play's end, I was exhausted, my ears having been talked off by all these vampires. I almost reached out and tapped Eddie on the shoulder to ask him for a hit on his bong.


P.S.: I noticed while looking at Parker Posey's IMDb page that she was in Blade: Trinity. Huh?




On set


I volunteered to help out on an NYU student film shoot. Before the holidays, I worked with the production designer to tweak the space a bit and purchase props. The past week I've spent most of my time on location during the shoot, doing a little of everything.


As anyone who's worked on a set will tell you, it's not that exciting, unless perhaps you're the director or you're applying body paint to Rebecca Romijn. Most of the time, everyone's standing around, and then suddenly it will be interrupted by a flurry of activity, and then everyone's milling around again for a while.


The days on this film shoot were long, at least 12 hours a day. I was an extra warm body (officially the art director), and was employed as such. One morning I found myself running around NYC trying to assemble a complete Santa suit from the detritus that remained of the Xmas section in all the costume stores. It's tough to keep your composure when you're asking one of the costume store workers where to find a Santa wig and beard and the Goth-themed worker with pale face, black lipstick, and a mohawk just stares at you and shrugs with indifference. 90% of your store revenue comes in one month of the year you unhelpful freak!


Sometimes I stood in for the lead actor and actress when the director blocked out shots. I was an extra in one shot. For an exterior night shot, I had to water down the street (standard technique so the water reflects street lights, otherwise the street just looks like a sea of black on screen). A family friend of the director got cold feet at the last minute and wouldn't let us take water from her sink. That might have been a good thing, considering we had only three buckets and she lived on the eighth floor of a walkup. We ended up splurging on eight gallons of water from a local grocer.


During lunch break one day, we played charades. Every answer was a movie title, but not like you'd imagine a normal game of charades. This was charades with film nuts. In one case, we got the clues that the movie title was two words, and the first word rhymed with rooster. From that, someone correctly guessed Brewster McCloud. Brewster McCloud.


On our one day of exterior shooting, the temperature was in the 30's. Fortunately, the rain failed to make call time that morning. I lost feeling in my toes by the end of the day, but by that point, I was beginning to feel the rhythm of filmmaking, and I was beginning to enjoy myself. On set, there are few meetings and little of the monotony that can seep into office work. It's not all fun and games, but it's closer to that than most jobs.


We could only afford to rent one generator, and supposedly it put out 27 amps, but we discovered otherwise. It felt as if we were Gary Sinise in Apollo 13, figuring out the maximum amount of power we could draw while still having enough juice to achieve re-entry through Earth's atmosphere. We cycled through tradeoffs. You can have the coffee maker or the hot water machine, but not both. You can one space heater, but it will cost you one light in the alleyway shot. What about two heaters at the lowest setting and one light? One heater on low and the hot water machine?


People always stop out of curiosity when they see a crew gathered around film lights on the street. What are you shooting, people would ask. Once, I told a lady we were shooting a few minor scenes from War of the Worlds. She didn't know what that was, so perhaps she'll be looking for that setting when that blockbuster hits screens this summer.


One day involved a montage of sex scenes. I felt like Ricky Jay during the Mark Wahlberg-Julianne Moore sex scene in Boogie Nights. It's true what they say--simulating sex in front of a camera and crew is not all that romantic, unless you're used to performing in front of a group of other people. I had to run into one scene to strew some more underwear around the floor while the actors stood there partially clothed, mid-coitus. I avoided all eye contact.


Everyone was professional about it, and we defused the situation with humor. The combination of the clinical and the vulgar in some of the direction was very odd.


"Continuity question. _____, were you wearing that watch when ____ was humping you over the bathtub?"


"_____, can you increase the horizontal displacement of your thrusting?"


"Whoa, we need to adjust the lighting. Your moonshine is going to overexpose the film."


I was impressed by the communal spirit of the cast and crew. Most everyone on set was a student, a mix of first, second, and third years. Everyone was pitching in to help the director finish his movie, and I didn't sense any competitiveness subverting the shoot. Most everyone was friendly (you might imagine film school students to be film snobs or aesthetes, but this group didn't exude that vibe), and I learned a lot chatting with various people during breaks in the day.


In the last hour of our exterior shoot, at some 2 a.m. in the morning in a dark alleyway in the West Village, we had just finished the last shot when the assistant director called for silence. We needed to record thirty seconds of street noise. The sound guy called speed, and we all stood in silence, heads bowed, nothing but the golden neon hues of street lamps reflected off puddles to leave halos in our hair. New York City is almost always a cacophony of noise, but for that thirty seconds, we heard nothing but the low hum of the city, like the sound of the ocean in the distance, or perhaps the sound of subway trains coursing through the veins of the city below our feet.


[silence]


That's a wrap.


Scissor Sisters


I caught the Scissor Sisters at the Hammerstein Ballroom on Sunday evening, after another great home-cooked meal by Angela (coq au vin, a classic French dish). When I emerged from the cab in front of the concert hall, it was snowing. Or hailing. Or someone was pouring bags of salt out of an apartment overhead. And it was really cold.


Through a few hops of the social network, I ended up attending the concert with Chris and her friends. I had met Chris once or twice in Seattle, but in typical New York big city small world fashion, we ended up attending a concert together and catching up over beers afterwards. Six degrees barely covers six short city blocks in NYC.


DJ Sammy Jo (the Scissor Sister's personal DJ) and VHS or Beta opened. I really dug DJ Sammy Jo, who has a catchy, danceable pop sensibility. VHS or Beta sounded like the Cure, but more punk. The Scissor Sisters were crazy. They love New York, where they as a band were born, and New York loves them back. They once opened for VHS or Beta, and now the tables were turned.


After the concert, the temperature had dropped even further, into the low teens, and a light coat of snow dusted the streets, like powdered frosting on a chocolate donut. We shivered our way to the nearest pub, and after that, sprinted to subway stops to disperse across the city back to our respective holes.


My apartment was an ice chest, and it still is. I have really tall windows lining the entire side of apartment facing the street, and they might as well be screens so much cold air seeps through. I tried a ceramic space heater and promptly popped the fuse. Looks like it's time to layer, and I now look forward to the sunshine of southern California with genuine longing.


Klein, Cartier-Bresson, Rutgers, and Macchio

I went New York holiday sightseeing Saturday with a friend. We went by Rockefeller to purchase a Christmas ornament at the Swarovski booth. I could have sworn the Christmas tree at Rockefeller was much taller in years past. Perhaps I've just grown taller?
Our next stop was the Met. One of the exhibits we visited was the compact photography exhibit "Few Are Chosen: Street Photography and the Book, 1936-1966". It's not a large collection, but it contains work from my favorite photographer, William Klein, and a few of my other favorites, Henri Cartier-Bresson and Robert Frank. They had old, old copies of the books Life is good & good for you by Klein and The Americans by Frank behind glass cases, but not a copy of Cartier-Bresson's The Decisive Moment, an out-of-print book I'd love to own. The image to the left is perhaps Cartier-Bresson's most famous, "Behind Saint-Lazare station, Paris, France, 1932."
After a Xmas-tree ornament-hanging party Saturday night, James and Angela took me to Blue 9 Burger in the East Village. Good burger, often referred to as the NYC equivalent of In & Out, but not quite that good. A burger with a bit of grease or fat? That's okay, much better than a dried out patty. I always feel guilty eating burgers with Angela because she orders them without the meat; it's the anti-Atkins burger. I'm not sure what you call that. The man behind the counter said, "Oh, you want grilled cheese."
Sunday, I took the train out to New Jersey to meet up with Scott and Ruby and their golfing buddies for a round at the Rutgers course. We lucked out with a sunny day after the previous day had nearly brought snow. I haven't golfed since the end of September, which just means that I hadn't grooved my already ugly stroke. The first nine holes, I felt like a beginner to the game. I could barely remember how to grip my clubs, and I shot a 55, one of my ugliest nine holes in years. Then I shot a 39 on the back nine, maybe my lowest nine hole score ever (from holes 10-18 I went triple bogey, par, par, par, par, par, bogey, bogey, birdie) and actually had a ten or eleven foot putt for eagle on the 18th, a par five I reached in two. What a schizophrenic round.
It was my first round of golf since moving to NYC, and I now have a sense for what's involved: a long train ride out of Manhattan, with clubs in tow. Not the easiest thing in the world, but doable. I need to get in my rounds with Rob before he becomes a father (of twins, no less!). I know enough new parents to know what that means for one's free time.
Yesterday night, I went with friends to see It's Karate Kid! The Musical. With tickets costing $15 and set in Teatro La Tea in a community center on a somewhat sketchy street on the lower East side, I was fairly certain as I walked in that I wouldn't be seeing Sarah Brightman as Ali. And yes, at least a third of the audience were friends of the cast. This buyer be warned.
Now, Karate Kid is a movie that could be adapted almost straight up and serve as a comedy. It's a much-adored cult classic (at last check, a new first print of the DVD was selling for $99.99 on Amazon). I even remember seeing it in theaters with Tim Rush and his parents back when parents had to take my friends and I out to see movies. But this adaptation chose to dial the spoof up to 11. Almost every character in the musical was gay except Ali and Mrs. Larusso, who was bisexual. Picture Mr. Miyagi as a black drag queen, and his magic hand-rubbing-chiropractic-magic-move administered while seated on the back of a moaning Daniel Larusso and you'll have a good sense of what type of play this was. Don't bring your child if you don't want to be answering "What does [insert sexual obscenity] mean?" all night. The entire show is built on a conceit that doesn't hold up from start to finish (and I never picked up on any latent homosexual overtones in the movie; Top Gun, sure, but Karate Kid seemed fairly asexual to me), and the dance moves and music don't even attempt to aspire to Balanchine or Gilbert and Sullivan. The dialogue and lyrics were often difficult to make out as speakers fired the songs out in all directions in a somewhat echoey room. But the show has its moments. My personal favorite was "Miyagi's Lament," a rap tune that I'd love to get on tape.
The funniest moment, though, came when Scott told us at intermission that the actor playing Johnny Lawrence was the same guy that Scott had just beaten up at a restaurant a short while ago. Supposedly this guy and his friend were being extremely rude to Scott and his date, and so Scott had gone out to the sidewalk and chucked this guy into a car. In Scott's version of the story, the actor was the big guy, and his friend was a short bald guy.
After the second act of the show, Scott was certain this was the guy. So I looked up his bio in the program, and it turns out that this actor had most recently directed and starred in several Saturday cartoons for Fox, the Kids WB, and PBS, and was gay. When I'd first heard the story of Scott's altercation I was picturing the big guy as Vin Diesel, and it turns out he was a gay drama student. I'm going to blame the lighting--trendy New York restaurants are dark, so dark you can't tell if you're drinking red wine or tap water, beating up a bouncer, or one of the Queer Eye for the Straight Guy Fab Five.

Nate, Heather, Bialystock and Bloom

This was the week I turned in my grad school app, and so I've come up for air. I've allowed myself to leave the computer for more than just bathroom and food breaks, and it's been a literal breath of fresh air. Walking the streets here is so invigorating, perhaps because everyone walks at such a brisk pace. I've never been to a city where so many people walk faster than I do.
I haven't run since the marathon, but Tuesday night I played two hours of pickup basketball with some bankers down in SOHO in a church gym. I heard about the game through a friend of a friend, who connected me with her friend, who heard about the game through his friend. And it turns out that I knew this guy (the friend of a friend of a friend) from a summer camp from 1992. Six degrees of separation in this world, but with over one and a half million people living in Manhattan alone, you can eat through six hops in one subway ride.
Running a marathon? Not much help in the sprinting of full court basketball. In fact, I venture to say that the benefits from running a marathon translate best to, well, running a marathon. Running up and down the basketball court, I almost passed out at one point, but it was a good feeling. Anywhere in the country, you can find a pickup hoops game, and it has to be one of the most foolproof ways to immediately see other guys for what they are. Pickup hoops is like a truth serum of some sort. It bares people's souls (and yes, some i-bankers do have souls, contrary to popular opinion). Like hunting in Hemingway's day, I suppose.
Wednesday, an old high school friend came to town. I haven't seen Nate since the early to mid 90's, and I also finally got to meet his wife Heather. Nate is as I remember him, and he still has a sharp memory. I enjoyed hearing news of former classmates and having Nate fill in missing names and events from my high school days. Heather is amazingly sweet, and they were kind enough to tolerate this NY novice as a pseudo tour guide. We visited Rockefeller and the newly lit Christmas tree, Central Park (where I learned from Nate and Heather that John Lennon got shot outside the Dakota building which is on the West side of the Park), the Plaza Hotel (where Carmela and Meadow Soprano took their annual mother-daughter tea, and where Tony stayed when Carmela booted him out of the house), and Times Square.
Nate and Heather were also kind enough to treat me to see The Producers. I actually knew very little about the show, only that it was THE SHOW to see when Lane and Broderick were playing it. I'd also seen a scene or two as played by Larry David in Curb Your Enthusiasm. It was much funnier than I anticipated, a type of meta-Broadway show.
Just after I made it home that evening, I got a call from Bill, playing in NYC that night only, at the Paramount Hotel. So I retraced my steps up to Times Square and caught up with him at the hotel bar.
I've also ventured out more this week for food. My favorite eatery nearby is Wichcraft, the sandwich shop companion to Craft and Craftbar. Wichcraft's sandwiches are tasty. Really tasty. The shop name is apt.
Union Square is host to a whole series of holiday tents where artisans are hawking crafts and clothes and the usual assorted junk. I walk past most of it when getting off the subway without wasting a glance on any of it, but today I stumbled on a soup vendor. The smells called to me and summoned me. What better to repel a late autumn, early winter cold snap than a bowl of hot sweet corn chowder. Tasty. I haven't visited the Soup Nazi yet, but if his soup tastes like this, then I'll shut up and place my order promptly. No questions asked.

Thanksgiving 2004

I had a great Thanksgiving feast at James and Angela's place last Thursday. I've thrown a few pics online. Angela, as anyone who knows her can tell you, is highly detail-oriented, an overachiever, and so the most memorable thing about the whole dinner was that she used some leftover woven paper from her wedding and printed up menus to put on every place setting. So classy--I saw them and immediately rushed home to change into my tux.

I finally tried Angela's brown sugar/butter sauce. James had been raving about it, and holy moly it is sinful, but in the best sense. I poured it over my baked sweet potato and experienced that side dish in an entirely new way. James had two such sugar bombs, and we had to inject him with insulin and carry him to the sofa afterwards.
I celebrated Thanksgiving in an old-fashioned way. I invited everyone in my neighborhood to my house, we had an enormous feast, and then I killed them and took their land. (Jon Stewart)

Noir

They're filming bits of War of the Worlds (two dudes named Spielberg and Cruise are working on it) in Brooklyn and NJ.
Weblog of a casino cheat
Even if you don't live in NYC, this list of essential American film noir from the Film Forum is really cool. I caught Mildred Pierce there--good good good.
When trends gain enough momentum to go mainstream, that's when Microsoft jumps in
Giambi brothers admit to having used steroids while in the major leagues
The clouds around Barry Bonds darken, but until he's proven guilty, he's innocent. I think that's how it works in this country. Personally, I'm not convinced that steroids actually help a baseball player. In football, yes, but baseball? I read a convincing case from a baseball-crazed physicist who argued that steroids wouldn't aid a hitter. Since only stories about good hitters or successful players using steroids make the news, the public may have an unjustified bias towards thinking steroids are helpful. What of all the lousy players (Jeremy Giambi being one) and minor leaguers who never make it who used steroids? Sosa and Bonds could hit tape-measure home runs even when they were skinny. Perhaps steroids helps to stave off the effects of aging, allowing guys like Bonds to retain their skills later into their careers.
GQ's 100 funniest jokes of all time

Summer road trip pics

During my road trip from Seattle down to Los Angeles to deliver my car to Karen, I snapped a few photos. Many were shot blind as I drove, right hand on the steering wheel, left hand pointing a compact digital camera out the car window. By the way, I don't advise doing that unless you have multiprocessors in the brain. I swerved on to the shoulder a few times.
My last game at Safeco Field. Sang took me to see the Mariners play the Twins. I looked at the lineup and thought two things: "Johan Santana is pitching, and he's filthy, and Justin Morneau is a good young hitter." Santana pitched one run ball for 7 innings, and Morneau hit two homers. Santana went on to win the Cy Young, and he was the best pitcher in baseball this year. I was grateful to see him during his amazing second half run, to see major league hitters flail over the top of his daffy duck changeup. How does he grip it, I wonder, and how crazy is it that he can throw it 75 mph out of his palm when I can't throw a baseball at that velocity holding it normally?


Maelle and Sadie, at my going away BBQ. Maybe babies really do appreciate their awesome complexions.


Eric and Christina bought me this cake. It reads "NYC Ya Later Euge!" The entire outside of the cake was one solid layer of marzipan. Sinfully good.


Frankly, Otto found my imminent departure inconsequential. I pointed out that he had three chins. We reached an uneasy truce.


Taking this photo, I almost drove off the road.


Great weather for my drive down to San Francisco.


I think this is Mt. Shasta, though to be honest I can't remember anymore.




Almost thirteen hours later, I finally crossed the Bay Bridge into San Francisco, my legs having lost all feeling. Another thirteen hours later, I found a parking spot in the city.


Jon took me to catch a game at SBC.


Look where Barry Bonds' bat is relative to the ball. Would you believe he pulled this one foul? That's how ridiculous his swing speed is.




In Los Angeles, Karen took me to a concert at the Hollywood Bowl featuring music from MGM/UA movies (Sept 5). For some of the movies, film clips played on screen while the orchestra played. Maestro John Mauceri would introduce each movie and piece. For some reason, his voice reminded me of Phil Hartman, never more so than when he came out for an encore and then said, "Ladies and gentleman, we are honored to have with us here, Sheena Easton." And then she walked out and sang "For Your Eyes Only." If you had only heard this scene, you'd swear it was from an episode of The Simpsons. Of course, they played bits from Pink Panther, James Bond, Rocky, and West Side Story, but the highlights for me were the clips from Spellbound and City Lights.


Finally, I arrived in NYC, where I stayed with James and Angela. Gorgeous weather blessed us my second weekend there, and I met them in Central Park for a picnic.


Free U2 Concert in Fulton Ferry State Park

Yesterday, U2 played a free concert in Brooklyn as to capture some video footage for their new album. I had heard about this rumored gig in the middle of the night through Gothamist, and when I woke in the morning, I just had to take a break from my grad school apps. So I hopped the subway and took a field trip out to Fulton Ferry
State Park, just north of the Brooklyn Bridge.
With the Internet and cell phones, rumors spread quickly. Thousands of people were already there when I arrived. Half the people had printouts of tickets, perhaps from 1iota.com. I stood in line with the general admission masses for about an hour and a half under overcast skies, reading a magazine.

U2 had been traveling through Manhattan on the back of a flatbed truck, playing songs along the way, and that same flatbed brought them across the Manhattan Bridge.

The crowd went crazy, and U2 waved and played Vertigo.

It was a long time before I made it through the gates into the park, and another hour, at least, before U2 actually made it to the park and onto the stage.
The track list:
Vertigo
All Because of You
Miracle Drug
Sometimes You Can’t Make It On Your Own
City of Blinding Lights
Original of the Species
She's A Mystery To Me
Beautiful Day
I Will Follow
Out of Control
Vertigo
Whenever Bono would announce the title of the next song they were going to play, the crowd would cheer.
"Hey, how do you all know this shit?" Bono asked. One particular fan screamed in response. Bono added, "Hey Edge, I think I know who got hold of that CD."
They finished playing in the dark, the city skyline behind them.

I didn't now many of the songs because so many were off of their new album, but with the exception of Vertigo, many of their new tracks were more solemn, wistful. I'm not a die hard U2 fan like many people I know, but I've always admired the near secular spirituality they bring to every song. There's no denying their status as rock icons, and a free concert? Anything free in NYC is a blessing.
The Complete U2 is available at the iTunes Music Store, and it may take you a lifetime to work through it.

112304_CompleteU2


Like this and like that

The sequel to Popular Science's list of the Worst Jobs in Science, which amused me last year
Christo and Jeanne-Claude are going to wrap Central Park
In a world where the costs of prescription drugs and health insurance are rising, one procedure has bucked the trend: laser eye surgery. In fact, it has decreased in price. How can that be?
Howl's Moving Castle, Hayao Miyazaki's latest animated film, set a Japanese box office record with $15 million in its opening weekend. I can't read Japanese, but you can guess what most of the links are by hovering over them with your cursor and reading the link name in English in the browser status bar. Studio Ghibli's online site hosts an extended preview (Quicktime).
Football Outsiders will produce Pro Football Prospectus 2005
That's good news, as the team at Football Project put out by far the weakest of the three Prospectus books.
Java-powered Monkeys trying to write Shakespeare
While I watched the simulation run, the record was the first 22 letters of Cymbeline. [From an article in the NYTimes about computer programs that can write fiction]
V-Girl
A 3G virtual girlfriend, supposedly driven by artificial intelligence. She'll send you text messages asking "Do I look fat on your cell phone VGA screen?" and throw a hissy fit if you take a discreet camera phone pic of some hottie wandering by.
Mint Lifestyle
For just $12,000 a year, and with just 200 members in every city, this luxury personal concierge service will set up just about whatever your filthy rich little heart desires. Examples on their site include:
"I want a Porsche GT Coupe. Can you get me to the top of the list?"
"I would like to have dinner with President Clinton. Can you make it happen?"
"Can you put the kids on the G5 and send them down to Cabo?"
"There's a really beautiful Miro on display at Christie's. Do you think I could borrow it for the evening?"
"I think Wynton Marsalis is fabulous. Do you think he could play at a small dinner party I'm planning?"
UpSnap.com
Like Google SMS, except you can simply reply to a template they send to you so you don't have to remember any numbers. For those of us who can't afford Mint Lifestyle, I guess we could try sending "Porsche GT Coupe 212" as a test message and cross our fingers.
The DNA of Literature
I've been reading some of the archived Paris Review interviews, which they've announced they'll be putting online for free over the coming months. Some are already posted. I've always been a huge fan of the Paris Review interviews of writers at work, and they seem even more relevant now that I'm back to writing regularly. A quote from Faulkner's interview (PDF):
Maybe every novelist wants to write poetry first, finds he can't, and then tries the short story, which is the most demanding form after poetry. And, failng at that, only then does he take up novel writing.
The current issue contains an interview with Tobias Wolff. You'll have to buy a copy to read it in its entirety, but it's worth it for those who are interested in writing as a way of life.

A thousand empty paper cups

I've been reading the 9/11 Commission Report, and the 9/11 timeline at Center for Cooperative Research has been a useful copmarison. More and more, I doubt the former and trust the latter. Paul Thompson is also planning to publish his terror timeline in book form.
A treasure trove of SNL transcripts
It was a great year for humor books
Halo 2 sells $125 million in its first 24 hours
I...must...resist...
The Grand List of Console Role Playing Game Cliches (sent from James)
Trailer for the remake of the Japanese suspense flick Dark Water
The remake is directed by Walter Salles. I saw this with Bean at the Seattle Int'l Film Fest a few years back and enjoyed it. Unlike Ju-On, the creepiness of the original didn't derive just from camera tricks and audio. At its root the mother in the story is haunted by her own feelings of maternal abandonment, and that overpowering sorrow pervades the movie. I'm not high on these remakes of Japanese horror movies, though. I love Jennifer Connelly, once a dormmate of mine, but having highly recognizable Hollywood stars instead of relatively unknown Japanese actors in these roles reduces the sense of everyday horror by a crippling amount.
Interesting quiz on population and health and economy - I only scored 60%. This quiz, on agriculture and food, was even tougher. I only scored 50%.
Amazon follows in BMW's footsteps with a series of short filmercials.
Informative graphics illustrating the ebb and flow of the electoral vote from 1940 through 2000.
The trailer for the videogame based on Star Wars III: ROTS gives away more about the action scenes in the movie than the trailer for the movie itself.
Now that the nearest snowcapped mountain is further away for me, maybe I need to turn to alternatives to snowboarding, like Freebording. Seems like it would be a lot more fun in San Francisco, where there are hills, than New York, where you're likely to end up as a multi-colored advertisement on the side of a cab. Looks like fun, regardless. Clever design.
David Foster Wallace reviews the new Borges biography for the NYTimes, using 7 footnotes in the process.
Ramen restaurants in NYC
Mmmmmm, just in time for the winter cold snap.

Through the 5 Boroughs

A marathon post about my marathon
Today, my body is tied in knots. Some ligament or tendon on the outside of my left knee is throbbing, and my legs are so sore and my hips so stiff that I have trouble walking up and down stairs. My back is stiffening, and I've been on Advil non-stop since yesterday morning. I went outside today to run errands, and I walked down the street like Kevin Spacey playing the part of Roger "Verbal" Kint in The Usual Suspects, my left leg dragging behind me like bag of dirty laundry. If I'm standing, it hurts to sit down. If I'm sitting, it hurts to stand up.
The way I feel this morning (physically), I can't help but try to understand why it is that I ran the NY Marathon yesterday. Human bodies, with the rare exception of some outliers on the edge of the bell curve, are not optimized to run that distance. But whereas most animals might be willing to push their bodies to the limits for survival (to find food, procreate, escape predators), only humans do so for recreation. Only a human could transform such a physically traumatic experience into something transcendent.
I wasn't thinking about that when I tried to fall sleep the night prior to the marathon. I'm normally a night owl, so even to lie down at 11 p.m. was an odd feeling. I didn't have high hopes of getting much sleep, but I didn't worry about it as much as I had in the past. I've never slept well before big endurance events like Seattle to Portland, RAMROD, or riding up Mont Ventoux, whether from jet lag or excitement or anxiety, or all of the aforementioned. For single day events, one night's sleep is not as important as all the nights leading up to the day. So I didn't stress about the thumping bass from my next door neighbor's Saturday night party (the funkiness concluded around 1 a.m.) or the blaring of horns from eternally impatient cab drivers on the street (their impatience never ends). I finally fell asleep sometime around 2:40 a.m., and just as I did, my phone rang.
Who could be calling at this hour? I looked at my phone. It was my phone alarm, and it was 5:00 a.m. already. I showered, dressed, skipped breakfast, and cabbed over to the NY Public Library to meet Jenny and Jason for the buses to Staten Island. Thousands of runners snaked along several blocks to load hundreds of buses. On the over hourlong bus ride, we all knew it would be a warm marathon day. The sun, not filtered by a single cloud in the sky, heated up our bus like a sun room and had us all stripping out of our outer layers.
Jenny was in the Orange start group, Jason and I in the Blue (all marathoners were split arbitrarily into three groups--Orange, Blue, Green--to split the traffic flow into three manageable streams during the first several miles of the race). Jason and I spent most of that time waiting in line for bathrooms, applying more sunscreen and BodyGlide, and snacking.
I felt calm, though anxious about one decision: should I wear the black, long-sleeved Under Armour shirt my sisters and brother-in-law had purchased for me as a gift, or should I wear one of my regular short-sleeve running shirts? My long-sleeve had "Go Eugene" ironed on the front, and to distort a Steve Martin line from The Jerk, "This is the kind of spontaneous publicity I need. My name in print. That really makes somebody. Things are going to start happening to me now." Namely, people would cheer for me by name. Never underestimate the power of personalized cheering. On the other hand, in that sunshine and heat, a black long-sleeve would probably be too warm. Temperatures would reach the mid-60's by mid-day. Jason suggested I pin my number to my shorts, allowing me to switch between the two jerseys. I took his advice and started out in the hometown black.
Jason started further up in the line, in the 8000's, while I was near the back with my 36137 race number. When the cannon fired, I stood among strangers alongside a fence, far from the start. As we walked towards the start, I saw, in the distance, the first throng of runners streaming across the Verrazano-Narrows Bridge like an army charging towards its enemy. A steady drizzle of runners left line to run to the fence to relieve themselves, and I felt sympathy for the women, who had to have friends devise creative means to offer them some privacy. A veteran marathoner to my right asked me what my goal was. I really had no idea, but I wore a 4:30 NikeRunning pace bracelet that felt about right. Our line wound through an opening in a fence into a parking lot, and at the end of a row of buses, the line opened up and everyone began to run. Several minutes later, I crossed the official start line, about six minutes after the opening cannon.
The first mile to mile and a half was uphill, to the midway point of the longest suspension bridge in the world. Runners were full of energy, and runners stopped to climb onto the low wall separating the two halves of the bridge for photos. Runners whooped and hollered in French, Spanish, German, Dutch, Russian, Swedish, Japanese, Chinese, and some other tongues I didn't recognize. Helicopters circled us from above and both sides. If there's one thing that always adds excitement to any event, whether it's a sporting event or a police chase, it's helicopters. So much cooler than blimps. The frantic pulsing whooshes of the helicopter blades brought me back to race day on Alpe D'Huez,
I had no idea how fast I was running, but the second half of the bridge, I tried to run as fast as possible to pass as many runners as I could. Because everyone was running different paces, everyone was accelerating and decelerating, weaving back and forth, bumping into each other, apologizing, trying to shoot through temporary gaps. I wasn't sure how I'd feel during the run, but by now I knew. My heart rate was higher than normal, and I was more worked up than on my solo training runs through the darkness of Central Park at night. Not a huge surprise, but could I sustain this for the entire run?
The first crowds appeared at the end of the bridge, in Brooklyn, lining both sides of the street, cheering passionately. I moved to the right side of the road to soak in their energy, to see their faces. I felt the urge to accelerate and pass people much more than usual. I realized later, talking to Bill, that it was in part because with so many runners, you could always spot someone who you felt like you should pass. Someone overweight. Someone much older. A group wearing rhinoceros heads. Scooby Doo and Batman. A transsexual wearing a tutu. Superman, wearing an afro. It's only after you finish that you realize unless you're a 110 pound Kenyan, you're likely to be surrounded by such people the entire race.
So many runners were pressed so close to me that I couldn't even see the road. I kept my head high, soaking in all the sights. So I didn't see a pothole emerge under the runner ahead of me, and when my left foot reached out for that next meter of pavement, it caught just a millisecond of additional air, and my foot landed at an angle. I stumbled and felt that yet-to-be-named ligament or tendon on my left knee scream in pain, and I hobbled for a few steps as the runners behind me swerved to either side like a stream flanking a boulder. This same tendon had been bothering me during the final few weeks of my training, though never enough to put me out of commission.
I panicked. I immediately thought I was done, and the anxiety overwhelmed the rush I had been riding just moments ago. I rubbed the muscle and tried to walk a few steps. Lots of pain. I bent my leg at the knee several times, standing in place, and the joint felt stable. My watch ticked out hundredths of second with a furious speed. So many runners were passing me by, and without thinking, and only with the thought to chase, I began to run. The first few steps hurt, but I realized that the injury bothered me much more when walking or starting to accelerate than it did once I achieved my natural pace. I melded back into the pack, and my heart rate settled back down. I learned, eventually, to stay to the right side of the road, because a road that slanted down to the left bothered my knee.
The crowds in Brooklyn were fabulous. One high school band played the theme from Rocky, numerous people, young and old, of all races, held out their hands and high-fived me as I passed. When people cheered my name, I'd always turn around to take a mental snapshot, because I'd pass them before I could get a good look at their faces. At the first rest stop, just past mile 3, I hit the first Gatorade or water stop and spilled an entire cup over the front of my jersey trying to drink and drive. I recalled Bill's advice to me, to pinch the cup to form a narrow spout and drink through the side of my mouth. My second cup was more successful.
At mile 6 or 7, I had to stop and change out of my long-sleeve jersey. I was roasting in the heat. It didn't help that I am a profuse sweater. I pulled on my short-sleeve and tried to tie the long-sleeve so my name still showed, but after some thirty seconds of fumbling, I gave up and just jumped back in. I wasn't racing, so I don't know why I was so anxious to keep going. In the moment, I was being swept up up in the race against the clock even though the difference of just a minute here or there would mean little to someone like me over such a long distance. When I crossed the 10K sign, I thought about my race alert e-mail flying out to my friends and family around the country (more on that later).
Arya had said he'd watch out for me by some tower. I couldn't remember if it was a clocktower or some other type of tower, but I looked for him at every tower-like structure. At mile 8 or so, I spotted him on the right side of the road, talking on his cellphone. I high-fived him, and he held out his cellphone. "Say hi to Karen!" I shouted a hello and surged on, too scared to try the stop and start with my knee the way it was.
At mile thirteen or so, when the leading men and women were facing the finish line, I had to face my second crisis. I had to use a portable bathroom. You wonder why I, a guy, wouldn't just find a bush or tree, like all the other men. Here's where I say, why do you think? And then you nod, in recognition. I had been running with the 4:30 pace group, the leader a girl who held a bunch of blue and white balloons marked "4:30." Dancing in place in line for the bathroom, I saw them round a corner and disappear, and I wanted time to stop, but I had no choice. I tried to stay calm, and after what felt like an hour, I sprinted out of the portable bathroom in hot pursuit. I didn't hold out much hope of catching them, but what I didn't realize was that they had been ahead of pace, and the pace group leader was slowing them down.
I sprinted through Queens, passing people left and right, and when I turned onto the Queensboro Bridge, the sharp incline allowed me to see far up the line of runners ahead. I spotted the 4:30 pace group balloons, several hundred yards up. This gave me a huge boost of confidence, and I began a desperate attempt to chase them down. The tight passage on the bridge made it difficult to make up long stretches of ground at a time. The hill went on for a while, but I didn't feel it. I powered on. Up ahead, I heard the a group of people singing happy birthday. At the end of the bridge, during the 180 degree turn back towards First Ave., I caught them. And for another mile on First Ave., I stayed with them.
The protracted chase had sapped me, though, and at mile 18 or so, the 4:30 balloon began to drift away, meter by meter. This time, when I tried to call on an excess reserve of energy, to press the burst button on the video game controller, nothing happened. Those several miles up First Ave. were depressing. I could see way up ahead, and First Ave. seemed to run forever, off into Canada. We were also running the wrong direction, away from the finish line, so every stride I took was another one I'd have to duplicate on the return trip. The crowds lining First Ave. were amazing, but my pain and exhaustion were pressing in on my consciousness, and I started to lose touch with the my environment.
The Bronx and Harlem were quieter than Manhattan. Around mile 20, I ran under a giant orange Nike billboard on an overpass that said something like "Run through the Wall like it's a street, 6.2 miles long." An earlier Nike billboard, at mile 14 or so, had read "Run like all of Queens is behind you." I passed Batman, whose full-body dark outfit had left him well done. There's a reason Batman only works at night and why Robin's outfit got him killed all those times.
Somewhere in this stretch, I missed Scott at the Willis Bridge. I may have passed before he arrived. I'm not certain. Back on Manhattan, the crowds burgeoned. I didn't hit a wall so much as a gradually rising incline. At mile 21, I stopped to open a packet of PowerGel. When I tried to run again, my left knee wouldn't bend. I had to limp along, swinging my left leg out wide, because it was locked straight. For a few steps, I sloshed and hobbled through a lake of Gatorade and empty paper cups, and just like the right leg of "Verbal" Kint transforming into Keyser Soze, my left leg metamorphosed from a useless stump to a working leg. I decided at that point it was too risky to stop any more until the finish line.
When we reached the northeast corner of Central Park, the crowds were in a frenzy. The screaming of the crowds lining both sides of the avenue was hypnotic. The sounds, along with the visual cacaphony of boldly designed signs, vibrating noise sticks, and wildly waving arms, reminded me, for some ridiculous reason, of the concluding fight in Karate Kid II, when Mr. Miyagi and all the spectators are twirling those hand drums. "Daniel-San, this not tournament. This for real." It pulled me into a trance in which my awareness narrowed. A few times I closed my eyes, to avoid seeing how long and endless the street looked, and to simply feel myself running. I could distinguish the occasional individual face, maybe one of every twenty people.
When I turned to enter the park, I recognized the road. I had run it many times during my training. I locked back onto the energy and incredible enthusiasm of all the spectators and race volunteers, and it lifted me along. For them to spend hour after hour, cheering, for the most part, complete strangers, meant so much to the runners.
I put my long-sleeve shirt back on when we reached the southern end of the park and turned right towards Columbus Circle, both in the hopes of some last minute crowd support, and in case James and Angela were nearby. I looked down and realized that most of the ironed-on letters had fallen off. What remained was "G Eug." Very cryptic. Many spectators looked at my chest, ready to scream, only to scrunch their faces up in confusion. But one girl, just past Columbus Circle, used her Wheel of Fortune skills to see the hidden message and shouted, "Go Euge!" I could have kissed her, but I could only manage a backwards glance and a smile, a much-needed smile.
I tried to summon one last kick as I saw the finish line, but even with so magnetic an oasis before me, I had none. I raised my arms as I jogged under the finish clock. I could finally release my poor body from its task, and I slowed to a halt. Twenty seconds passed before I remembered to stop my watch. I looked at the time. 4:36 and change. A volunteer handed me a foil blanket which I wore like a cape. I kept walking, and another volunteer handed me my race medal, and another placed a bottle of water in my hand. I stopped for a race finish photo and then joined the throng of finishers in the long walk to pick up our start-line race bags from the UPS trucks parked along the road.
On both sides of me, runners were leaning against faces or hunched over on the curb, vomiting. Numerous runners lay on stretchers, medical personnel massaging their legs, asking them questions like what is your name? Do you know where you are? Yet others were embracing, and many were weeping from what I surmise was an overpowering cocktail of elation and pain. Those of us still standing staggered along like a procession of refugees from a war, wrapped in our foil blankets like so many ballpark hot dogs.
My UPS truck, number 72, turned out to be the last of all the trucks, and so I had to hobble along for what felt like another 26 miles until I retrieved my bag. I changed out of my running clothes and walked out of the park to the friends and family greeting areas. I didn't see anyone in my area which wasn't surprising because I hadn't told anyone which group I was in, so I headed on south towards subway stop under the Museum of Natural History. While walking, I turned on my cell phone. Ken had left me a message during the race, having followed my splits on the marathon website. I tried calling James and Angela to see where they were, but all cell circuits were busy.
Just before I walked into the station, James got through to me, and they met me at 81st and Central Park West. I had missed them at the turn near Columbus Circle, but I was really thankful I didn't miss them now. I could barely walk, my legs were so sore and stiff. We couldn't find any cabs near the Park, so we took the subway down to 14th. They escorted me home, holding me up as I struggled up and down subway stairways, and they took me all the way back to my apartment in a cab. As with cycling, once the race stops, all that race hydration becomes excess, and I had to go to the bathroom every five minutes for the next half hour. I was starved by now, and the banana and apple and granola bar they had given me at the finish just didn't appeal to me. Angela walked to a nearby deli and bought me a roast beef sandwich, and it was the best roast beef sandwich I've ever had.
I checked online and realized that none of my race alerts had reached my friends and family. The Google Group I had set up was private, and only members of the group could send messages to the group. Since the NY Marathon e-mail server wasn't a member of the group, its messages had all bounced.
I saw my race splits for the first time:
1:08:05 10K
2:19:49 Half marathon
3:32:05 20 mile
4:36:12 Net time*
4:41:51 Finish time
*Net time is adjusted for when my chip actually crossed the start line, while Finish time is not
Almost everyone who called to congratulate me asked if I would run another. I don't know yet. On the one hand, with enough time to complete a full training schedule, on a flatter course, on a cooler day, I'd love to see how much I could improve my time. When I had ran my 20 mile long run, several times around Central Park, on a cool night, I had run a 9:12 pace for every mile, and I felt strong the whole way. If I could peak like that on race day, maybe I could even approach a four hour finish time. And the experience of having millions of people cheering you over 26.2 miles and five boroughs is something you can only earn by being on the road, not the sidewalk.
On the other hand, I've never felt so beaten up after a sporting event. I'm worried about my left knee, my right knee, my ankles, my arches, and my hips. 26.2 miles of pounding them against the concrete was a cruel thing to subject them to. And the training, even though I only ran for two and a half months, seemed like an eternity, mostly because I did almost every run alone. So I'm uncertain whether I'll run another one, and for now, I'm in no hurry to decide.
Almost anyone can finish a marathon. That I'm convinced of after having seen all the different types of finishers, from octogenarians to the overweight to the physically disabled. I saw a man with one leg, and another on crutches, and one man with cerebral palsy pushed himself backwards in a wheelchair from 8 a.m. until 6:49 p.m. to finish in darkness. But is it worthwhile? Some say that running 26.2 miles changes you, extends your belief in what you can accomplish. Others argue that running such distances is unhealthy and needlessly so, especially in pursuit of feelings one can achieve in safer ways.
They're both right, perhaps. An event like a marathon is difficult enough that every person must answer that for themselves. Running 26.2 miles has become, in our culture, the world's pre-eminent incarnation of a trying physical and mental quest, a walkabout for the modern man. I don't love running, and I find long distance running boring and extremely painful, but the marathon put me back in touch with a mental toughness I wasn't sure I still possessed. There's strength in feeling like you can endure discomfort for longer than the next guy, and that translates into all aspects of life. I had never run more than four or five miles before I began training for the marathon, and in just eleven weeks, I worked up to 26.2 miles. Most everyone of reasonable health can do the same; the most significant barrier to doing so, for me, was mental.
Just past the finish line, I saw a middle-aged man, bald except for hair on the sides of his head. He wore a long beard, lined with grey, and he was lying on a stretcher on the sidewalk while medical personnel attended to other delirious runners nearby. The man's legs splayed out awkwardly, and his eyes were shut, but not enough that I couldn't see that his eyes had rolled back into his head as if he was unconscious. His breathing was shallow. His right arm lay to his side, hanging off the stretcher, limp. If he had been in a hospital, one might think he was near death.
His left hand, though, clutched the medal that hung from his neck. And his lips curled up ever so slightly at the edges, offering a hint of a smile like Mona Lisa's, as if he had just discovered an unexpected treasure locked away in the darkest corners of his heart.

Ryan's first Halloween

Sunday, the weather was gorgeous. I needed the surprising dose of sunshine, and fortunately my schedule contained a morning outing in Central Park with Sharon and my little nephew Ryan. With the marathon coming up this Sunday, deadlines for grad school applications hanging over my head, and the election tomorrow, I haven't been sleeping that well. The sunshine, family, and autumn-hued mosaic that was Central Park was a refreshing break.
I asked Ryan for a GQ pose, and he turned to the side, took a knee, and flashed the "For relaxing times, make it Suntory time" look in this first pic:

In the early evening, Ryan and his playmate Zoe went trick-or-treating in the building. Ryan was dressed as a Chinese man from olden times. Both of them are at the age where they can imitate everything they're taught to say, so they were able to say "trick-or-treat" at every door, though it sounded more like "twickrtwee."

Children's costumes sure have come a long way. The first costume I remember wearing for Halloween was one of those molded plastic masks with two eyeholes and a thin rubber band to secure it to your head. I was Darth Vader, with a mask and plastic cape. Good times, except for that lady who was giving out lone pennies. Even at the tender age of three or four, or however old I was, I discerned that little pleasure was to be had from a single penny, either directly or in barter.

Scaled electoral map

Even though it doesn't make a difference, I find it much more reassuring to look at colored electoral maps scaled based on share of electoral votes than geographically scaled maps.
Because you can't get fat enough from going to McDonalds and picking up a meal, McDonalds offers free delivery in NYC in partnership with Delivery.com.
Another note from my eagle-eyed vigilance for all things giant squid: squid biomass now exceeds that of humans. I keep expecting we'll get footage of a giant squid alive in the ocean one of these days. That or a Cubs World Series victory first? In my lifetime? Please?
Physicists have solved the falling paper problem. It reminded me of the solution to the billowing shower curtain problem.

Union Square Cafe

James, Angela, and I went to Union Square Cafe Sunday night. From the outside, it really does look like a small cafe. The interior is more spacious, though still cozy. Danny Meyer's restaurant, which opened in 1985, is a New York institution. We enjoyed both of the things it's famous for: chef Michael Romano's excellent New American/Tuscan cuisine, and the hospitality.
Our appetizers were the butternut squash gnocchi and terrine of duck foie gras with pear/apple chutney. The butternut squash gnocchi were super, and the terrine of foie gras solid, but I wish they had seared foie gras instead. For entrees, I had crispy duck, James the herb-roasted baby lamb chops with garlic potatoes and mustard greens, and Angela the special entree, hangar steak with basil risotto and chanterelle mushrooms. The lamb chops really stood out. Cooked to medium-rare perfection, and those garlic potatoes just melted in our mouths. For dessert, James ordered butterscotch mousse, Angela the pumpkin upside down cake, and I the Baked Alaska. The wine list is both extensive and impressive.
Our waiter, a very young guy, was extremely friendly and knowledgeable. I wonder, though, if the restaurant's hospitality would be as notable in another city. At restaurants of similar quality and price range ($9 to $16 for an appetizer, $24 to $30 for entrees, $8 to $10 for desserts), isn't top-notch service de rigueur? Or perhaps it's the warmth of the wait staff that's the novelty, not the service quality? Smiling, courteous waitstaff, a reliably solid meal--I can understand the restaurant's status as bedrock of the NY dining scene.
The three of us decided to try and visit one expensive and renowned New York restaurant a month (if a restaurant is good and cheap, you can visit anytime). Any and all foodies are welcome. For November, perhaps we'll target one of the hot new eats in the Time Warner building.

Shake Shack's "Shacktoberfest"

Angela was the first one to tell me about Danny Meyer's newest restaurant, Shake Shack. Meyer is the man behind Union Square Cafe and Gramercy Tavern, respectively ranked as Zagat's Most Popular NYC Restaurant in 2004 and 2005. So when I first visited and saw Shake Shack a few weeks back, I was a bit taken aback.

It was literally a shack, albeit one with modern lines and lettering, situated in Madison Square Park.
As for the food, it wasn't anything fancy. The menu's staples include...










Of course, this is New York, so you can order a glass of wine with your Chicago Style Hot Dog.
The difference between Dick's in Seattle and Shake Shack is one example of the difference between Seattle and New York City. A deluxe burger at Dick's cost $1.80 (I think; it's been a while). A Shack Burger costs $3.95. Both, in their contexts, are considered cheap eats. I was never a huge fan of Dick's burgers but could understand the appeal of one to satisfy a case of late-night munchies. The Shack burger is pricey but really tasty. The secret is the Shack Sauce, a concoction that reminds me of Thousand Island dressing with more zing and spice.
Shake Shack's Chicago Style Hot Dogs are, to this former Chicagoan, quite good. I've already lauded the Shack Burger; I much prefer it to their plain hamburgers and cheeseburgers. The meat is ground daily from sirloin and brisket. I have yet to sample the fries; Dick's had good fries. I also haven't sampled the plain frozen custard, though, so I can't compare it to Ted Drewes in St. Louis (good stuff). I did try one of the concretes (frozen custard blended at high speed with homemade mix-ins) and it lived up to its name. It took me an entire day to finish one cup it was so rich and thick (The Concrete Jungle: hot fudge, bananas, peanut butter, mixed with the frozen custard of your choice).
Yes, I'm a big fan of Shake Shack. It's just a few blocks away from me, and sometimes if I've run a lot during the week I treat myself to one of its temptations. Today I stopped by on my way back from midtown and discovered, much to my pleasure, that they're running "Shacktoberfest," featuring special beers, sausages, and hot dogs. Special sausages
  • Rocky Mountain Wild Elk Sausage stuffed with Jalapeños & Cheddar Cheese
  • Wild Boar Sausage stuffed with Cranberry & Apricot
  • Wild Buffalo Sausage stuffed with Jalapenos & Cheddar Cheese
  • Pheasant Sausage stuffed with Mushroom, Spinach & Parmesan
The special beers:
  • Brooklyn Brewery's Oktoberfest
  • Kostritzer, Schwarzbien
  • Reissdorf, Kölsch
  • Ayinger, Oktober Fest-Märzen
  • Smuttynose, Pumpkin Ale
  • Victory, Festbier
  • Rogue, Dead Guy Ale
Tomorrow, all the special sausages and beers will be available. And three new concretes: Caramel Apple, "Shakes" Pear in the Park, and Pumpkin Pie.
I tried the featured Wild Buffalo Sausage and Reissdorf, Kölsch combo today. On a grey, cool autumn day with a brisk breeze blowing, the meal was so pleasing. Nothing like a light beer buzz mid-day.
Sadly, Shake Shack shacks up for the winter Nov. 1.