Baseball strike

This morning, when my alarm went off, I couldn't move. Physically, and not because I was tired, but because of pains from a Saturday afternoon full of broomball at the Amazon company picnic. My brain sent the order to my left arm to rise up and turn the alarm off, but my arm was locked up at the shoulder joint. So I laid there and listened to the talk show hosts of some radio station (for all the years I've been in Seattle, my alarm clock has been set to the same radio station, but I have no idea which station it is). For some reason, these radio talk show hosts were discussing the impending baseball strike. After listening for a short while, it was clear they knew nothing about baseball or the strike, and they chewed out some poor caller who tried to argue against them. I'm not sure why people bother calling in to radio talk show hosts. Most of these morning hosts are ignoramuses who simply know to package vapid arguments in rabble-rousing rhetoric.
What is true about the baseball strike: You don't have to sympathize with baseball players or owners. I've never really sympathized with baseball owners. Most are greedy businessmen with no knowledge of baseball. And while I love watching some of these baseball players play, I can't say I sympathize with them (I definitely can't empathize with them). In this economy, with plenty of people just looking to get work, if a professional player has his salary capped it's no great tragedy. Yes, it's true, the median salary in baseball is much lower than the average salary, which everyone seems to quote liberally (the average salary is elevated by a small number of huge contracts; most pro players actually make about $400K per year, which is far far from poverty but a far cry from the $2M average salary so popular in the press). Still, for those who make the pros, it's a charmed life by any reasonable standard. I don't know too many people who are concerned about the plight of players and owners, and that's completely understandable.
However, lots of points being bandied about are ridiculous. First of all, baseball players are not expendable, as the radio hosts insisted. Baseball as an entertainment may be expendable, but today's MLB players are, for the most part, not. There is only one Alex Rodriguez, and there's no one in the minor leagues who can replace him. There are 750 players in the major leagues today, and you won't find 750 players with the same skills anywhere in the world. Sure, you could get a bunch of semi-pros or minor leaguers to cross the lines and replace them, but let's be real. No one would fill pro stadiums to watch them.
Secondly, salary caps are not inherently good. They do not, by necessity, increase competitiveness. Basketball has a salary cap, and that sport has more back to back champions in the past several decades than any other sport. Football has a salary cap, but the competitiveness there results more from the number of players required to field a competitive team (and the high number of injuries in that sport to key positions) than to the salary cap. A sensible revenue sharing plan, like the one Derek Zumsteg of Baseball Prospectus suggests, is a far superior solution to guarantee competitive baseball. Frankly, even without a salary cap, it's no given that the team with the highest payroll this year, the Yankees, will win the World Series. In fact, in many ways, the Oakland A's, with a payroll a third of the Yankees, are a better team (their rotation of Zito, Mulder, and Hudson is certainly stronger this year than the Yankees front line of an aging Clemens, a tired Mussina, an old and overweight Wells, a rehabbing Pettite, and an inconsistent El Duque). Most of the lack of competitiveness in baseball is the result of lousy personnel management.
And frankly, on principle, a salary cap is counter to the American way. I wouldn't want my salary capped except by the amount of economic benefit I could bring to my employer, and the same should go for baseball players. The fact is, millions of people every year pay lots of money to go watch baseball, and that wouldn't happen if those 700 players didn't come out and play. So economically, they've earned that money. The salaries that are offensive are the fat contracts teams pay for players who are clearly not worth it on the field, like the huge contracts given to Greg Vaughn, or Mo Vaughn, or Bobby Higginson, or Mike Hampton. Of course, the easy conclusion to draw is that if you don't like MLB player salaries, don't go to the games! Don't buy jerseys and caps, don't watch baseball on TV, and the owners really won't be able to afford to pay the salaries that they do. They won't be able to charge the prices they do for season tickets and individual seats.
So feel free to complain about player salaries, and the looming strike. I agree, the owners and players should be able to compromise on the luxury tax and avoid a strike, or I will give up on baseball for a long time. Cold turkey. But don't argue for salary caps or that the pro players do not possess unique skills which keep the fans rolling through the turnstiles unless you're willing to admit that a great portion of your antipathy is rooted in jealousy.

No time in the day

It never feels like there are enough hours in the day to do everything I'd like to do. Read, catch up on news, ride my bike, work, learn how to [insert some new hobby], plan my next big trip, catch an episode of whatever my Tivo has recorded. One can only choose to do so much.
Do I feel sorry for myself? I do not.

Tube job

End of an era. My faithful Pioneer 1009W has moved next door with Scott, and a new Pioneer 720HD has moved in to serve as my faithful entertainment companion. Man, I loved that 1009W. After it was calibrated, it just put out an awesome movie picture. The 720HD has a ways to go to achieve that. It needs breaking in and lots of calibration. But it can handle progressive scan and high-def signals, and it was high time for me to join that world. Now I just need my receiver back and I'll be ready to begin hosting movie nights all over again.

PunchDrunkLove

When Paul Thomas Anderson (Boogie Nights, Hard Eight, Magnolia) said he was making a movie starring Adam Sandler, it seemed like the kind of brash declaration he'd absolutely follow up on. After all, what greater challenge for an acclaimed director than taking an actor that everyone considers a low-brow comedian and directing him to critical acclaim? Sounded exactly like something PTA would try. Well, now there's proof.
The trailer(s) are out. Click on Punch, Drunk, and Love to see each of the three. Can't wait for this movie!

Norah sings Crazy

Music (RealAudio) to surf by.

Seven's a lucky number

Fashionistas think of jeans, but cyclists know Seven stands for one of the hottest custom bikes you can buy. Italians make great looking bikes--Bianchi, Colnago--but Americans make the most technically advanced custom titanium bikes--Serotta, Merlin, Litespeed, and the aforementioned Seven. If they could just combine the two--a custom ti frame with the European race colors of a Colnago--you'd have a metallic babe with brains. Or, um, something like that.

Gut buster

Just rode for the first time with John and Jim from work. Damn they're fast! I could barely catch my breath the whole way around Mercer.
It was funny, some big huge 240 pound 6' 4" dude with oak tree trunks for legs pushing some monstrous gear passed us, and Jim jumped out and chased him down and passed him. When Jim rode by, that guy did a double take and started riding like a madman, and then John jumped out to catch him, and they were all furiously pushing the gears up this hill, and I was 20 meters back about to have a heart attack.
The good thing is, I got my spring out of the way for the week. Everytime I ride Mercer at 6am, some riders fly by me. You want a fast ride, the Mercer morning circuit is it. No casual riders get up at that god awful hour to suffer on a bike. There's not a whole lot of conversation, either, especially since you don't have any air in your lungs to spare. All you hear in the shadows of the morning dusk is the click-click-click of the shifting gears and the muted mechanical clatter of chain on cassette.
My goal is to get my speed up so that I can chase all those huge dudes down in the morning.

Sight and Sound Top Ten Movies of All Time

The results are in. Sight and Sound polls critics and movie directors themselves, so these are the "experts" picks, for whatever that's worth.
Across the director and critics lists, the films I haven't seen are all the ones not yet on DVD: La Regle du Jeu (Renoir), Tokyo Story (Ozu), Sunrise (Murnau). In particular, I really want to see Sunrise, a silent film, but it's only available on VHS. I think there's a laserdisc version, and I may have to track that down once my receiver is back from the shop.
Lists like these will always invite a lot of debate, but for those who haven't seen these films, you can't really go wrong with any of them.
Sidenote: Safe to say Transporter won't be making any future Sight and Sound lists. Trailer looks fun, though. One of the unfortunate byproducts of China's takeover of Hong Kong was the outflow of all the talent from the HK movie industry. Fortunately, perhaps because of this outflow, we're seeing that HK influence in cinema of other countries, especially the US. When that influence is perverted, you get crap like Romeo Must Die. The Transporter, directed by HK vet Cory Yuen, looks like a lighthearted, mindless romp that doesn't take itself all that seriously.

Perhaps the closet?

In Seattle, if you want to do something in your garage--start a garage band, edit a film in your garage, paint in your garage--you actually have to be fairly well-off since space is tight and most homes don't have garages. So in a way, the economics here undermine the rags-to-riches nature of the garage artist myth.

Five year anniversary

Today marks my five year mark at Amazon.com. I've never done anything for that long in my entire life, other than grade school. Unbelievable, especially if you'd asked me if I'd still be there when I joined in 1997. Amazon will always be indelibly twined in my memory with my late twenties.
To commemorate the occasion, the creators of Sex in the City were kind enough to insert Amazon.com in tonight's episode. Charlotte is too embarrassed to purchase a self-help book in a bookstore so she heads home and orders it online from Amazon, only to have Amazon recommend a whole series of other embarrassing self-help titles.

I bet they kick ass at karaoke

Last week I saw two hot young singers live. Tuesday my parents stopped through for a surprise visit from Vancouver where they'd just completed an Alaskan cruise. We caught Jane Monheit at Jazz Alley. After hearing her live, I can safely say I'll never listen to her ">on a CD again, because a CD doesn't come anywhere close to doing her voice justice.
Monheit's a towering presence, both literally and musically. She's extremely tall, at least six feet tall in heels. Her voice is amazing live: full, rich, and commanding. The digital sampling of a CD sucks the life out of it. She has the voice of a veteran diva but the stage presence of, well, a happy go-lucky 23 year old girl. She giggles a lot between sets and is clearly one of those girls who loved performing as a child in talent shows or family gatherings. She's completely at ease in front of a large crowd and didn't seem nervous in the least. She just went for it on every song, accompanied by a three piece band (sax, drums, bass) and blew us all away.
In contrast, Norah Jones is extremely shy on stage. I saw her Friday at the Moore theater, where she performed all the songs from her CD and a few others, including one by AC/DC! Norah's sweet and smoky voice belies her shy personality. She smiled and nodded her head in mock celebration once when some guy shouted, "I love you Norah!" Cute. But otherwise, she just introduced each song and got to work, alternating between a grand piano and an electric keyboard.
Fabulous voice, and snazzy jazzy pacing on her piano playing. I'd like to see her again in a few years, after she's gained more confidence on stage and feels more comfortable interacting with the audience. Once she realizes how talented she is and lets loose a bit, she'll be even more popular a performer than she is now, which is saying a lot considering her show in Seattle sold out on the first day, and considering she's on pace to sell a million copies of her debut album.
Inspiring stuff.

Rip-off

A while back, at the office, some coworkers happily circulated the following humorous customer review for an actual product from our toy store. You can find it by going to this product page and sorting the customer reviews by "Most Helpful". It should be the first customer review.
U. Milton's Ant Farm a fun way to learn about Toil & Death, July 25, 2000
Reviewer: A toy enthusiast from Sandy Springs, GA USA
Uncle Milton's Giant Ant Farm is a fun, interactive way to teach children ages 5 and up about unceasing, backbreaking toil and the cold, inescapable reality of death. My little ones had a front-row seat as worker ants labored, day in and day out, until they inevitably died of exhaustion, their futile efforts all for naught. The ant farm, complete with stackable tiny ant barns, see-through 'Antway' travel tubes, and connecting 'Antports,' is a child's window into the years of thankless, grueling labor that await them as worker drones in our post-industrial society. It's the fun way to teach your kids to accept their miserable fate stoically. The ants, which come separately from the farm, are bred in New Mexico and mailed directly to your home. Within days of arriving, a majority of the ants die at the hands of the small children responsible for regulating the temperature, humidity, and food supply in their delicate pseudo-ecosystem. Even under optimum conditions the ants survive no more than 20 weeks in the farm. As a result, children are assured the chance to contemplate the inescapability of their own mortality and the whole family will be reminded that the spectre of death hangs over every creature on this Earth. The lesson that the ants' labor is all in vain becomes clearer as time passes. During the first two to three weeks, the exclusively female worker ants are extremely productive, building an elaborate system of tunnels and hills amongst the miniature green trees and red plastic houses dotting the interior of the plastic dome. However, because neither male ants nor a fertile queen is provided with Uncle Milton's Giant Ant Farm, making reproduction impossible, the farm is doomed to extinction from day one. You'll learn such fascinating things about the natural world, like the fact that the social structure of an ant colony is extremely complex, with individual members occupying such castes as soldier, messenger, and larvae attendant. At some point, Uncle Milton's ants become cognizant that their hierarchical structure has been stripped away, rendering their already near-meaningless existence totally futile. There seems to be a breaking point at about the 22-day mark when the dejected ants begin to die off en masse. At this point the ant farm enters what is known as the "death-pile phase." A spot is chosen by the worker ants to deposit their dead, and the burial mound steadily grows as the few remaining ants devote more of their time to gathering and burying others. Yes, with Uncle Milton's Giant Ant Farm, arbeit macht fun!
Look at the date on that review. Now go read this Onion article and look at the date on it.
The Amazon customer review is obviously plagiarized. I realized this one day while flipping through my hard copy compilation of The Onion. I forgot about it until I was cleaning out my e-mail inbox today and found the review, forwarded from someone at the office.
How pathetic. I think you all should go and vote the review unhelpful. I did. It's like people who hear a great joke and can't wait to rush off and tell ten other people the same joke and pass it off as a creation of their own witty personality.

Pop-up ads making it through

Pop-up ads are starting to find ways to make it through Pop-Up Stopper. Some are based on Macromedia Flash. Bastards!

Peak conditions

Gladwell wrote an interesting review in this week's New Yorker of a book about the deadly Chicago heat wave of 1995. Anyone from Chicago knows the summers are hot and humid, but that summer, a confluence of rare conditions caused 739 deaths in the span of a week.
One of the points he makes is that politicians and social structures shouldn't be judged on how they perform under normal conditions, but how they perform under peak conditions. Chicago's systems failed when the heat wave hit its peak. Local power company transformers burned out, leaving tens of thousands without air conditioning. City hospitals failed to call upon help from the suburbs quickly enough, leaving a shortage of ambulances throughout the downtown area. Some hospitals closed their emergency rooms because of overflow. Under peak conditions, Chicago's infrastructure failed the elderly of the city, and more died in that week than died in the TWA Flight 800 crash or the Oklahoma City bombing, though you don't hear nearly as much about the Chicago incident.
What interests me is the idea of judging people under peak conditions. For example, your friends might be happy to help you out from time to time, but then you become an alcoholic, and they head for the woods. Your spouse vows to be by your side through thick and thin, but as soon as you lose your job, you're on your own. You're reasonably happy with some people on your team, then a big crunch hits and you need them to work overtime on a weekend to nail a deadline, and they grumble or beg out. Chris Webber is acknowledged to be an immensely talented power forward, but come the end of playoff games, he's at the top of the key, back to the basket, waiting to hand the ball off to someone else to take the shot.
There's something to be said for judging all people that way, including ourselves.

Don't Look Now

Everyone has one strange movie that just plain terrifies them. For me, that movie is Don't Look Now, and it's finally coming to DVD. Everyone talks about the "really sexy for the time" romp in bed between Donald Sutherland and Julie Christie (director Nicolas Roeg did a very clever thing and spliced together alternating scenes from their lovemaking with scenes of them dressing later that evening for dinner--it's one of the more memorable uses of montage in movie history). But all I remember is...well, I won't ruin it for you. It's a great film, and it scares me. Something about the cinematography, the plot, the acting. Very few people seem to have seen it, and more should.
By the way, DVD lovers need to crack open the piggy bank (not the small one, the big one). Band of Brothers, Y Tu Mama Tambien, Lord of the Rings: The Fellowship of the Ring (Extended Edition), The Simpsons Second Season Box Set, Grease...that's not even mentioning some other DVDs which reasonable people might consider must own, like Spiderman, Monsters Inc., Amelie. There are people who don't own a single DVD, don't own a DVD player, never watch movies more than once. I've long since stopped trying to understand them or judge them. The gulf is there, and we stand on opposite sides.
After all, it's so easy to judge.

Spoiler spoiler alert

Love The New Yorker, but if you don't enjoy reading movie reviews which give away key plot points, Anthony Lane and David Denby are reviewers you want to read AFTER you've seen the film. Lane's review of Signs casually reveals the secret about the entire film. Granted, Shyamalan (pronounced SHAH-mah-lahn) films are tough to review without drawing attention to the mysteries at the core of the story, but Denby and Lane don't even pretend to care if you want spoiler warnings.

In this corner, wearing the hockey mask...

Hollywood's new infatuation: pitting two popular villains or heroes against each other. Among Hollywood's upcoming projects:
Alien vs. Predator
Batman vs. Superman
Freddy vs. Jason
Michael Buffer must be wetting his pants (BTW, if you want to be jealous and spiteful towards anyone, is any target more deserving than Buffer? Has anyone in the history of man accomplished more with less? At least Anna Nicole Smith had to shack up with some 90 year old grandpa to earn her millions and her TV show).
What's sad about this all is that since the foes are of such high profile, you know that neither side will really triumph. No one's going to die off here. It's not as if the creative brians favor one side or the other, and it's especially true if the rivals are represented by different studios. When the Japanese made a film of the Godzilla versus King Kong, the two fought to something of a draw. There's an American cut in which King Kong comes off as the victor after tossing Godzilla around by his tail like a limp noodle, but the Japanese cut tips the scales in favor of Godzilla a bit more.
In any case, it's possible to make an interesting film in which two protagonists battle to a draw, but in these cases it's unlikely. At any rate, give me Tom Wolfe versus John Updike, or Tom Wolfe versus John Updike, Norman Mailer, and John Irving. Or Kasparov vs. Karpov. Ali vs. Frazier. Any battle involving two arrogant egos the size of Manhattan. Competition is spicy, and life is otherwise bland.

Blog Family Tree

A post for those of you with weblogs: a new site called Blogtree has been set up to allow bloggers to register their blogs and specify which blog(s) inspired their creation. Most webblogs are inspired by people who read someone else's webblog and decide they want one, too. I registered and cited my parent blog, Bean's Koraku.

Converging technologies

The National Science Foundation and the Department of Commerce collaborated on a 405 page report titled "Converging Technologies for Improving Human Performance: Nanotechnology, Biotechnology, Information Technology and Cognitive Science." Interesting interesting stuff, and best of all it's posted online for free. Nutrition for the geek in you.

Michael Specter

You know you're loyal to a magazine or newspaper when you start to know the names of the regular contributors. I always mention Malcolm Gladwell from The New Yorker (most known for his book The Tipping Point). Michael Specter has a website that looks just like Gladwell's, along with an archive of all his articles for The New Yorker. Specter writes in a different style than Gladwell but covers similarly diverse topics and phenomena. Among his interesting recent work are a piece on Lance Armstrong and an examination of the reliability (or lack thereof) of fingerprints.

Gold...finguh!

Nope, not a post about Austin Powers: Goldmember (saw it Saturday--after the fun fun opening sequence, I was surprised to discover I was bored when all the familiar characters showed up again, doing their thang...could it be, Austin is old news?).
At Eric's birthday BBQ and bocce affair, heard clips from the new Shirley Bassey Remix Album, Diamonds Are Forever. Hot stuff. The Propellerheads, John Barry, and Groove Armada? I'm in!
On a tangent, the best track to listen to while driving really fast? The Chemical Brothers Out of Control, featuring vocals by New Order's Bernard Sumner. The bassline is evil, it always inspires me to downshift and blow by the next ten cars on the highway.

6 days

Two of my favorites, DJ Shadow and Wong Kar Wai, were surprised to discover they were big fans of each other. So they decided to collaborate. Cool.
WKW directed the video for DJ Shadow's 6 Days. The video stars Chang Chen from Crouching Tiger, Hidden Dragon (he played Zhang Ziyi's lover, lucky SOB) and features Christopher Doyle's trademark velvet crush cinematography. It's not as visible streamed over the Internet, but check it out for yourself. It's at DJ Shadow's website--I found the link buried in current news.
WKW, like Soderbergh, doesn't really storyboard. Just figures it out as he goes. Shows up, then decides how he wants to shoot different scenes. That takes a lot of guts in one's abilities, especially when shooting scenes out of sequence, as Soderbergh did while filming Ocean's Eleven.

Happy birthday

To Eric and Laura! It was a birthday weekend.
Also, welcome back Kate. Just in time, a cycling buddy out of the blue.

Down with Bruce Kimm

New Cubs manager Bruce Kimm left Mark Prior out on the mound for 136 pitches today. Kimm should be shot for doing that to Prior's golden arm. Teams invest millions of dollars in these players, then mismanage them so badly. That was a travesty. I wanted to jump through the TV and b-slap some sense into Kimm. Even Kerry Wood's arm wasn't abused this badly his rookie season. Let's hope Kimm is fired at the end of this season and that Prior's arm isn't fraying at the seams before he has a chance to build it up.
Many of you will skip this baseball post, but I'm hopping mad. Being a Cubs fan provides a lifetime's worth of, as Tony Soprano would say, agita. If I ever become wealthy enough to purchase a sports team, I'm buying the Cubs and taking them to the World Series. I could be mayor of Chicago at that point.

New trailer for The Ring

The American adaptation of the Japanese horror classic--Quicktime trailer in high res. I have a hard time believing this adaption will match the original in creepiness, but it does star the talented Naomi Watts. If it's successful, prepare for a wave of adaptations because there's an entire library of good, low-budget Japanese horror films for Hollywood to mine (and ruin).

For the love of *&^$%#

Okay, it's the 21st century. Can someone please invent a vending machine that dispenses the item you selected successfully 100% of the time? You reach in your pocket, miraculously cobble together a half pound of nickels and dimes that just adds up perfectly to the cost of a bag of pretzels or chips or cookies, and then you press the button and the metal coils turn, and your bag is pushed forward from with a mechanical whir, and then....it hovers there in space, like a bag of Doritos trying to commit suicide by jumping from the 8th story of its vending apartment.
I'm not sure what burns me more, not getting my chips or the thought of someone else getting two bags of chips. I want a tax deduction.

9 minutes

I think I read this in a Sports Guy mailbag column, and it came to mind this morning. I've been getting up at 5:30 am every morning this week--I'm still on French time. My alarm goes off at 6 am, and I hit the snooze button.
9 minute later, the alarm is back on. Some ensemble morning talk show hosts babbling on with energy and enthusiasm that is superhuman considering the time of day. Inevitably, once a week, the host has to chew out a caller who's dying to hear himself live, "Please turn off the radio, Bob." Where was I? Oh yeah. 9 minutes. Why are all alarm clock snoozes set at 9 minutes? Someone has to tell me. Is there some scientific axiom that 9 minutes is just enough time for you to pass out again, but not deeply enough to achieve REM sleep? Maybe one company in the world has a monopoly on making the snooze chip for alarm clocks globally, and they're too stingy to change their production process to accomodate alternate snooze intervals.
I should have tried it with the hotel alarm clocks in France. They still measure time in minutes, but maybe the metric system means you have to multiply the 9 minutes by 1.67 or something like that so their snoozes are 15 minutes. Actually, they probably have 30 minute snooze increments considering dinner out in Europe lasts about 4 hours. How can you have faith in the European economy if they don't understand that the more people you cycle through a restaurant, the more money you make?
The damn Air France air baggage handlers were on strike in Paris when I flew over for my Tour de France camp, so my bags were stranded there for days as I flew on to Marseilles. Then on the way home, the KLM pilots were on strike so I was stranded a day in Amsterdam. They have laws limiting work weeks to 35 hours in France, and they still strike. And they complain about Lance Armstrong, an American, winning their race year after year. They should stop striking and get to work.

Chicago

RealOne trailer for the new movie adaptation of the musical Chicago. Click on the link that reads "haute resolution" for the high-res version, or "moyenne resolution" for you lower bandwidth users. Catherine Zeta Jones is barely recognizable in costume. Of course, so was Michael Douglas when she fell for him (there's no other explanation), and then BAM! He stops using makeup and ages 50 years on her in a day. Yikes, that must have been a tough morning when she woke up to that. Talk about scary morning faces.

Airline security in Europe

European airports do their carry-on baggage security x-ray screening at each gate, rather than en masse before you enter the terminal. It's a superior system. Costs more because you have to buy more of those x-ray machines and hire more security staff, but it means less time in line for passengers, and if there's a security breach or delay, only a subset of passengers is affected.

Schizo TIVO

My hacked Tivo device (it has two giant hard drives patched into it for 305 hours of recording time) has some algorithm for selecting random programs to record as suggested viewing. I think it's supposed to be based on other programs I've instructed it to record, but the algorithm isn't very good. Much to my horror, one of the shows it selected was Nash Bridges.

Butts up

Did you play butts up in elementary school? There are few times in a person's life more terrifying than trying to survive playground games in elementary school. The Japanese film Battle Royale had it right. The corporate world is nowhere near as ruthless as lunch hour dodge ball, smeer the queer, or butts up.

Unfortunately named ride

I never won a lottery spot in Death Ride, but Tim did. Told me it was grueling, tougher than RAMROD. 12,000 feet of climbing is no joke, and it also means 12,000 feet of descending.
Most people don't live near long extended hills with long, straight stretches that allow you to pick up crazy speed on a bike. On the Tour de France, riders hit speeds just over 70 miles per hour in the descents. That must be close to terminal velocity because they're not touching the brakes much. In the Alps, I hit speeds of around 52mph and feared for my life. If you spill, or hit a pothole, or get the wobbles, you either hurtle across the coarse pavement at 50 miles per hour, which is like whipping skin across a cheese grater, or you fly over the edge of the cliff and drop a couple thousand feet.
On the descent from Mont Ventoux, as I hit 48 miles per hour, I came around a turn and saw a cluster of people and cars by the side of the road. One cyclist had lost control and crashed. His bike was a mangled skeleton of aluminum, and he was unconscious. Blood was dripping down his forehead and caked on his face, and one of his legs was coated in blood and gravel. A man cradled his head.
I saw this, but when I rode on, I rode just as fast as before, if not faster. Cyclists who spend hours suffering a climb up a mountain don't want to be deprived of the visceral thrill of the downs. The pounding of a nervous heart adds to the physical excitement. At a certain speed, I won't even shift my hands to the brakes because the slightest movement might tip my bike off balance. Just hang on for dear life and hope the bike frame holds together.
On Death Ride this year, Tim saw a cyclist who had crashed on a descent, but in this case the rider died. It was the first death in the history of Death Ride, and perhaps that's the reason their website is currently deactivated.

Entertainment news

Hard to believe the fall is just around the corner, with football and Fall TV. I arrived back to Seattle from France and it felt like summer was just beginning. Then the second day back it was about 55 degrees and rainy.
The season premiere of of the second season of 24 has been set on Oct. 29, a Tuesday, at 9pm. The entire first episode will be commercial free. Maybe we'll see Jack Bauer have to use the bathroom during that episode.
Sarah Michelle Gellar likely won't sign on for season eight of Buffy, so next season's it. Good long run for Joss Whedon.
Baz Luhrman has thrown his hat into the Alexander the Great ring. He's now competing with Oliver Stone, Martin Scorsese, and Mel Gibson to be first to market with a biopic on Big Al. Very strange how everyone in Hollywood is always converging on the same ideas. I can guarantee that if there are four movies on Alexander the Great, not all four will succeed.

Stupid Stupid Stupid Human!

Aaaaaaaaaaaa! So I lug my camera and my big 80-200mm lens over to France for the Tour. The last time I used my camera, I was at a wedding, and it was dark, so I decided to shoot my 400 speed black and white film at 800 and then push process it later. Well, being the idiot I am, I didn't bother checking the rating when I loaded new film in France during the Tour. I shot two rolls of Provia 100F at 800 speed and the slides all came out predictably underexposed. Noonan!
I think it's partially Nikon's fault for not flashing an alert or resetting the speed when a new roll of film is loaded. Damn!
Fortunately, my one good shot of Lance was shot on 400 speed film. Everyone in the camp was so impressed watching me with my giant lens, lens hood, and monopod, running back and forth across the street to get angles on the incoming cyclists. They're going to have a good laugh at this one.

Best of the streaming music services

Listen.com's Rhapsody online music subscription service is supposedly the best out there. Their musical catalog is impressive, and you can play an unlimited number of tracks each month, but you're limited to burning ten tracks a month. That means most of your music listening still has to occur at your computer. Not my preferred mode of listening to music.
Pressplay finally unveiled unlimited downloads and streams for $14.95 per month.
All these services are inching their way towards usefulness, which makes it somewhat more palatable that the file-sharing services online are crippled. Still, lots of problems remain. The quality of downloaded streams is not CD quality, only 128kbps for Pressplay, for example, and streams are just at 96kbps for customers with the fastest online connections. That's weak, and insufficient for music like classical or jazz which counts lots of audiophiles among its audience.
These services try as hard as possible to not tread on the turf of CD sales, and that's their downfall.

Three's the charm...or maybe not

Saw a screening of Signs, the new M. Night Shyamalan film. Didn't find it to be as good as his previous two movies, The Sixth Sense or Unbreakable. The trademark suspense and mystery is there, but it doesn't pay off.
There's a fine line between inspiring a sense of wonder and coming off as hokey. Signs was the latter for me. Also, he's got to stop casting himself in all his movies--he's not that great an actor, and he can afford to hire some real acting talent. Get over yourself, M. Night. You're a good director, so stay behind the camera.

Spirited Away on DVD


Hayao Miyazaki's latest is out on region 3 DVD and region 2 DVD now!

Lowe leaving The West Wing


Rob Lowe is leaving The West Wing over a salary dispute. It's so hard to tell what the details are in a case like this. It's certainly possible he didn't push for a raise but was characterized as doing so through an intentional media leak. All I care is that Lowe's Sam Seaborn will be no more early in 2003. That's a shame.
I'm as strong a proponent as there that the director and writer are the key determinants of the quality of TV shows and movies, but that's mostly because they have the ability to court first-rate acting talent. In television, where an actor will play the same character for hour after hour, year after year, it's harder to replace them and maintain the same feel. The X-Files wasn't the same when Duchovny and Anderson left, and much of the quality difference in the Bond films was due to Connery versus some of his weaker successors.
Having now seen the first season and bits of season two, I can notice a dropoff in quality this season. Not the actors fault. The writing is inconsistent. Sam doesn't play as large a role now, but while he wasn't an Emmy nominee like many of the other actors, his was the emotional everyman at the heart of the ensemble cast. It won't be easy maintaining the quality of that show through seven seasons, but it will pass the 80 episode mark (or whatever the number is which marks economic megasuccess for TV shows--I think it's eighty, the point at which you can capture massive syndication fees). Let's hope they can work something out.

Numero quatre Lance brings home

Lance brings home number four. Awesome. The man is like a machine, which is so impressive because he is so much a human in so many ways. Maybe the French will finally show him some respect.

Photo gear for the Tour


Famed cycling photographer Graham Watson posted photos of the equipment he uses to cover a typical race.
I brought along some camera equipment to the Tour as well. Not as much as Graham, but coincidentally, some of our gear overlapped. I used some similar film: Fuji Provia 100F and Fuji Velvia. I also carried the same flash as Graham (#3 in his photo: SB28) and two of the same lenses (#8: the 80-200mm f2.8 and #11: the 16mm fisheye f2.8). I wish I could afford some of those other lenses, but as an enthusiast it's hard to justify the expense. Someday.

Blech


CBS owns the rights to broadcast the last stage of the Tour. Well, they showed about a few minutes worth of actual riding from the last stage today. Basically, they showed Robbie Mcewen sprinting across the finish to win the stage and the green jersey. American cycling coverage is terrible.