Wordloaf


Among the many cool-sounding shows I haven't had time to see recently is "All About Walken," a show featuring a bunch of Christopher Walken impersonators.


The Adobe Photoshop CS3 beta releases this Friday. Rumor has it that the Universal Binary will "scream" on the new Intel-based Macs.


Monthly upload bandwidth lifted from 20MB to 100MB for free accounts at Flickr. I though they should have lifted those a while ago, but better late than never.


I was fuming mad at the world today, well, mostly Bank of America for their shoddy (read: nonexistent) integration between branches in different states, and then I went back to watch episode 6 from this season's Simpsons, and by the end of the episode I was smiling again. Go grab a torrent. With guest appearances by Gore Vidal, Tom Wolfe, Michael Chabon and Jonathan Franzen, and another comic turn by J.K. Simmons reprising his J. Jonah Jameson from the Spiderman movies, it's an instant classic. And yes, I don't watch much TV anymore which is why I'm recommending an episode that aired sometime during the Kennedy administration.


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Elevate Your Game


I'm not a huge fan of the Lebrons Nike commercials. I don't really understand them. But this new commercial (another link here) for the Jordan Melo M3 shoe? That I like. Notice the clock at the end: 2.4 seconds left. The shoe releases Nov. 24. Jordan wore 23 (and yeah, Kobe wears 24 now, but...well). The commercial screams Wieden + Kennedy and recalls classic Jordan Nike commercials like the classic one for the Jordan XXI.


Not surprisingly, Melo is part of Brand Jordan.




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Stay of execution


Studio 60 on the Sunset Strip gets a reprieve from the guillotine: NBC orders 9 more episodes to carry the show through season's end. The future looks grim, though. Considering all the stars in the show and its current viewer level of about 7.7 million people per week, it can't sustain a premium time slot. Maybe it will have the shelf life of, say, Sports Night?


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This is all I have to offer


Aaron Sorkin visits a dental hygienist.


Why don't studios just use catchy movie posters as the DVD cover? Looking at the examples cited, I suspect that studios think that by the time the DVD comes out, everyone knows the story, so they don't go with the more mysterious poster images which act almost like teasers. But I agree, the movie posters are superior. Those are some fugly DVD covers, most of which seem to say, "Hey, remember who was in this movie?"


Amazon.com posted a copy of the Publisher's Weekly advance review of Thomas Pynchon's new novel Against the Day. PW gave Pynchon a star, their mark of recommendation. If my mind weren't monopolized by all the first quarter film shoots my classmates and I are buried under, I'd be game for tackling new Pynchon. But my mind is, and so I'm not. Not even close.


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One more


After mentioning TV on the internet, how could I forget Matt Damon just ripping Jimmy Kimmel to pieces on the Jimmy Kimmel show? You have to watch to the very end...




I enjoy jokes where movie stars are allowed to curse on live television. When I went to the live taping of The Daily Show, much of the fun was not having to hear all the bleeping you hear when a show is finally aired on TV.


One thing that's been enjoyable about starting my grad school classes in the arts is hearing professors cuss without a moment's hesitation. It reflects a certain practicality.


"Look, this isn't undergrad where you're taking classes just for the hell of it. We're all adults here, you're here to get a degree that will hopefully secure you a useful job. People cuss in the real world, let's not pretend that this is the first or last time you'll hear adult language on a film set."


TV on the Internet


The Sci-Fi Network is offering, on iTunes, a free retrospective episode of the first two seasons of Battlestar Galactica. I have not watched the TV show, but after The Wire, which seems to be enjoying an unprecedented critical push this season, it seems to be the TV show with the strongest cult following.


The clip below from what looks to be a new season of Extras? David Bowie guest stars and sings Ricky Gervais a little ditty. When is the new season airing on HBO? Without having set up my TV here in LA, I feel so out of touch with the world (embedded player via my friend Eric's site Mojiti).




It's premier season for new fall TV shows, and since I haven't gotten my home theater set up here in LA, I haven't seen much. But these days, an internet connection is a fairly adequate replacement. I caught the most recent episode of Studio 60 on the Sunset Strip online off of NBC's official site for the show. Okay, so the quality of the video at full screen made me think I had cataracts, but I can't remember watching TV shows online prior to this year in any format other than a torrent (which, by the way, is still the best way to watch a TV show online, so maybe all this official online streaming is not all that exciting).


I'll always chase the Sorkin rat-a-tat-chat, but the Sarah Paulson character feels like a concept more than a person. She's the devout Christian who works at a comedy sketch show which puts on skits like "Crazy Christians." They also talk up her character Harriet in this episode as if she's the Will Ferrell of Studio 60, and so far she hasn't shown any comic abilities at all. Also, why hasn't anyone reacted at all to Amanda Peet's attractiveness on the show?


And, oh yeah, the premier of season 3 of Veronica Mars is also online, ahead of it's actually on air debut next Tuesday.


Sole survivor


Instead of heading straight for LA after leaving NY last week, I stopped over in San Francisco for Mark's wedding. The slower transition from my old home to my new one was much welcome.


For one thing, my friend Cindy's apartment, where I stayed for the weekend, was so large that it helped to ease my sadness over leaving Manhattan. You could fit my entire NY kitchen inside her shower, and her apartment could house two entire families if a tornado picked it up and dropped it in Manhattan. These are things you learn to live with after an adjustment period in NYC, but being able to lie down in a shower to do snow angels helps to ease the pain of leaving NYC the way the patch helps a smoker trying to kick the habit.


California is also a state that makes a strong first impression. She's a looker. As soon as you step out of the airport, she greets you with sunshine and blue skies. The day before the wedding, I went for a jog in the afternoon from the Bay Bridge to Fisherman's Wharf, and though the headwind beat me up, the views of the ocean, sky, and bridges couldn't have been more gorgeous.


The point of this post, though, is to plug my old college classmate Yul who will be one of the contestants on this season's Survivor: Cook Islands. I've never really watched the show, but finally, I am one degree of separation from a reality show contestant. This season's show has already courted lots of controversy by dividing the contestants into four teams by race: Asian American, Caucasian, African American, and Hispanic. Various sponsors have dropped out and community leaders have protested. In other words, this transparent tactic for boosting ratings appears to be working as planned, though the test will come Thursday when the season premier airs.


Yul, though he couldn't share details of what had transpired on the show, invited us to a viewing party for a TV Guide Channel preview of the upcoming season. He was the last contestant profiled and was introduced thus: "...with a Yale doctorate, a compassionate nature, and a whole batch of imposing muscle." The voiceover was paired with an image of Yul sans t-shirt, looking like a video game Bruce Lee. Oddly, Yul never appeared with a shirt on in any of the clips, and you can imagine the ribbing we all gave him.


I won't be rooting for any particular team but for Yul. Early odds have him as one of 6 contestants with 8 to 1 odds, the favorite at this point being Adam Gregory at 7 to 1. If you're watching but have no rooting interest, I offer my endorsement of Yul as a really decent guy, a far cry from the cutthroat reality contestants you love to hate.


The Agent


New Yorker issues have a tendency of piling up around my place when I travel or when I'm busy as I can never bring myself to toss them out. Sometimes that can seem like a tactical error, as in times like these when I'm moving and have to lug about 275 pounds of unread back issues to the recycling bins in the basement.


But lying on my bare mattress now (all the sheets, pillows, just about everything is packed in boxes), I'm glad I saved the July 10/17 issue from last month. In it was an article titled "The Agent," (PDF) an excerpt adapted from Lawrence Wright's new nonfiction book The Looming Tower: Al-Qaeda and the Road to 9/11.


Though I'm exhausted from days of packing, the article, which I just finished reading at three in the morning, stunned me, introducing two characters and a story that will break your heart with how close we came to anticipating and perhaps stopping 9/11. We had all the puzzle pieces to assemble a picture of Al-Qaeda terrorists in our midst, but they were held by different U.S. intelligence agencies, and we couldn't assemble them into a picture of looming terror because of self-imposed bureaucratic walls that kept the CIA and FBI from sharing information. Our intelligence agencies, with their silly infighting, failed us.


Two charismatic characters are at the center of this story. Ali Soufan is the Agent, a Lebanese-American Muslim FBI agent whose Arabic language skills and tenacity made him one of our nation's leading assets in the fight against Al Qaeda. John O'Neill was the head of the F.B.I.'s National Security Division, figures more prominently in The Looming Tower, but also appears in "The Agent."


Soufan is the hero of "The Agent." O'Neill put in charge of investigating the bombing of the U.S.S.. cole in Aden, Yemen, in October, 2000. Soufan's investigation unearthed tracks that led back to Al-Qaeda in Afghanistan. The CIA, in the meantime, learned of an Al-Qaeda meeting in Malaysia and learned of two Al-Qaeda operatives, Khaled al-Mihdhar and Nawaf al-Hazmi. Mihdhar had a U.S. Visa. The CIA did not inform the FBI about the two of them, and so they slipped into the U.S. unnoticed. The CIA does not have authority to operate within the U.S., so once Mihdhar and Hazmi were on U.S. soil, they were the province of the FBI, or would have been, had the CIA alerted the FBI to their presence.


In June of 2001, Ali Soufan sat in a meeting with CIA colleagues and was shown photos from the secret meeting in Malaysia. Among those in the pictures were Mihdhar and Hazmi, but Soufan did not know of them yet, and the CIA shared little except to see if the FBI knew of them. Another photo of the Malaysia meeting, displaying an Al Qaeda jihadi named Khallad, was not shown. Soufan and his team had a huge file on Khallad, who they suspected of being one of the masterminds of the U.S.S. Cole bombing. Had the CIA shown Soufan that photo, he could have connected the dots.


On August 27th, 2001, Nawaf al-Hazmi and his brother Salem purchased airplane tickets for American Flight 77 on Travelocity.com. Mihdhar also purchased a ticket for that flight online. They did not bother disguising their names, as they were not on the FBI terrorist watchlist.


Twenty months after their arrival in Los Angeles, on September 11, 2001, Mihdhar and Hazmi went to Washington Dulles International Airport. Hazmi set off the metal detector at the airport and was hand-screened, and Hazmi and Mihdhar were both flagged for an additional security screening at the gate, but both passed and boarded American Flight 77. One hour into the flight, the hijacked Boeing 757 crashed into the Pentagon, killing all 64 on the flight and 125 people in the building.


Immediately after 9/11, Soufan was told to find out who had perpetrated the hijackings. On September 12, 2001, he was handed an envelope with full details of the meeting in Malaysia. When Soufan realized that the CIA had known that Mihdhar and Hazmi, two of the hijackers, had been living in the United States for 20 months, "he ran into the bathroom and threw up." Wright notes: "Soufan's disillusionment with the government was so profound that he eventually quite the bureau; in 2005, he became director of international operations for Giuliani Security and Safety, a company founded by Rudolph W. Giuliani, the former mayor of New York."


John O'Neill is an even greater tragic figure in the story of 9/11. His story is almost too unbelievable to be true. Perhaps no one in the FBI was more obsessed with the rising threat of Al Qaeda, but on August 22, 2001, O'Neill left the FBI after it was reported that his briefcase containing sensitive documents was stolen during an FBI conference in Florida. Though it was later found and though it was determined that none of the confidential material had been compromised, his career at the FBI was ruined.


O'Neill left to take a job as the head of security at The World Trade Center. On September 11, 2001, just after American Airlines flight 11 flew into the north tower, John O'Neill received a call from his son who could see the smoke through a train window. O'Neill told his son he was fine and that he was going to assess the damage. After United Flight 175 hit the south tower, O'Neill called his girlfriend Valerie james, distraught. Yet later, at 9:25am, O'Neill called another woman he had been close to, Anne DiBattista, saying he was okay.


"The connection was good at the beginning," she recalled. "He was safe and outside. He said he was O.K. I said, 'Are you sure you're out of the building?' He told me he loved me. I knew he was going to go back in."


Another FBI agent, Wesley Wong, ran into O'Neill outside the north tower. She last saw him headed towards the south tower.


On September 28, 2001, O'Neill's body was found in the rubble of the World Trade Center. Wright reports:


...a thousand mourner gathered at St. Nicholas to say farewell. Many of them were agents and policemen and members of foreign intelligence services who had followed O'Neill into the war against terrorism long before it became a rallying cry for the nation. The hierarchy of the F.B.I attended, including the now retired director Louis Freeh. Richard Clarke, who says that he had not shed a tear since September 11th, suddenly broke down when the bagpipes played and the casket passed by.


For some reason, perhaps because I've come to adore New York City, I can't stop reading about 9/11. I've read the The 9/11 Commission Report in text form, and I'll probably reread it in its graphic adaptation. 9/11 and the events that led up to that day continue to haunt me, and Lawrence Wright's account The Looming Tower, which I've just begun, promises to be the best account to date. I'm not doing justice to his reporting here, so delve into "The Agent" if you want a sampling. Soufan is a fascinating character in many ways, particularly in his interrogation techniques, which demonstrate that torture is hardly the only way to extract information from suspects (torture has long been known to yield unreliable info). Soufan engages his subjects, demonstrates his knowledge and understanding of them and their cultural background, and uses his intelligence to checkmate them.


In the stories of Soufan, O'Neill, and bin Laden, there is a Syriana/Munich-style tragedy to be made. In fact, with its story of thwarted investigations and global conspiracies, it's the 9/11 movie I would have expected Oliver Stone to make, though from what I've heard his World Trade Center movie is a great departure for him.


Here is an online only interview with Lawrence Wright which came out at the same time as "The Agent." Here's a comprehensive list of Wright's articles for The New Yorker, including many on Al Qaeda. PBS Frontline came out with a documentary on O'Neill called "The Man Who Knew" and it's available online (Real Player and Windows Media).


Corddry leaves TDS, I leave NYC


I spent the entire weekend packing. I want to shoot myself. Before I go dark for my cross-country move, a few links from my final bit of housecleaning here.


I complained just the other week about the quality of YouTube videos. Stage6 is a YouTube knockoff, but using DivX encoding, so the video quality is much much better (for example, or another). Its selection is so miniscule it's laughable when compared to that of YouTube, but I look forward to the day when we surfers can have both selection and quality in online video aggregators. There's no reason we can't right now.


Speaking of YouTube, I'm Really, Really, Really Excited! Every hot new online community crowns its stars, and Bree (lonelygirl15) is YouTube's. I'm reminded of the mystery video footage which generated a cult-like following in William Gibson's Pattern Recognition.


Rob Corddry's has spread his wings and flown the Daily Show coop. Last Thursday was his last episode, and he follows in the footsteps of Colbert and Carell as Daily Show stars who sought greener pastures. The Daily Show is the Oakland A's of comedic television, launching talented funnymen but unable to retain their services once they achieve stardom. Except for Jon Stewart, of course. He's The Daily Show's Billy Beane, I guess.


I always wondered if the movie Sideways sank sales of merlot, and a brief scan of some older articles on the web seems to indicate only a mild effect, if any. But pinot noir sales got a boost. I'd been a fan of pinot noir for a few years before the movie came out, but the movie spurred a boost in production that has flooded the market with pinots that lack the earthy taste of the terroir that I loved. Many pinots now taste like syrahs, and it seems as if you have to spend upwards of $25 to $30 a bottle before you find a decent pinot.


Two researchers claim to have solved the "cocktail party problem," or how to separate one recorded voice from a group of other voices and sounds.


Tony Jaa's The Protector (I guess The Weinsteins weren't too impressed by its original title, Tom Yum Goong) is a huge letdown, especially after Ong Bak, but you wouldn't know it from the trailer, which features Jaa depositing his elbow and knees in a variety of unfortunate stuntmen.


Majority of "To Cross Street Push Button" buttons in NYC are placebos. I've long suspected that most "Close Door" buttons in elevators are also dummies, also.


Pretty and beautiful


Maria Sharapova feels pretty. I feel she's pretty pretty, too.




David Foster Wallace pens a love letter to Roger Federer in NYTimes Play Magazine (yes, there are DFW's trademark footnotes, in this case displayed in pop-up windows, and footnotes to the footnotes, displayed below the respective footnotes in the pop-up window).


Also in Play Magazine, an interview with Martina Hingis. Most players are not very astute analysts of their sport (or rather, they can't eloquently express themselves when dissecting other players and the sport), but Hingis is an exception.


Skeptics


Cool video of James Randi helping Johnny Carson to stump famed psychic and spoon-bender Uri Geller. Here's a clip where Randi exposes how one faith healer "heals."


Ghost Hunters is a TV show on the Sci-Fi channel in which two plumbers moonlight as TAPS (The Atlantic Paranormal Society) who investigate paranormal disturbances with a skeptical eye. In most cases, the paranormal activity can be explained after some on-site sleuthing. Sometimes, though, they can't explain the phenomena, though I can't point to which episodes those are because I've never seen the show.


Debris


The holy grail of video game graphics is ray tracing, and it may not be more than a few years off.


Michael Moore is working on a documentary called Sicko about the American health care crisis, but he's running into a problem. Every time he appears on scene to film a family's struggle against health care injustice, the family is suddenly given health care. It's Moore's version of the Heisenberg Uncertainty Principle.


David Wain is shooting The Ten, a series of ten stories, one for each of the ten commandments. The cast includes Jessica Alba, Adam Brody, Rob Corddry, Bradley Cooper, Famke Janssen, Gretchen Mol, Amanda Peet, Oliver Platt, Paul Rudd, Liev Schreiber, and Ron Silver, among others. Wain is probably most known for directing Wet Hot American Summer, so expect a remake of The Decalogue. If Wain needs to reduce his cast for budget reasons, it's not a stretch to think of a way for Jessica Alba to cause me to violate all ten commandments.


The sequel to Signs: Mel Gibson's Signs (of Anti-Semitism). It's tough not to think of this whole Mel Gibson debacle and think "Apocalypto."


Wondering who to pick as your fantasy football kicker? Neil Rackers. (YouTube clip, reminiscent of the Ronaldinho commercial).


Perhaps she is the Mark Fidrych of blondes, who burned too brightly, too soon, only to fizzle out at 25.


Product feature: does the body good


A gallon of milk on Amazon.com inspires hundreds of customer reviews. Ships from Gristedes in New York. I priced out what it would cost to ship to me here in NYC, and it came out to $30.24, with expedited shipping, which I highly recommend for milk.


Toyota about to pass GM to become the world's largest automaker, though they've been fighting some quality issues recently. I remember when our family first purchased a Toyota Cressida, it might as well have been a Bentley to us. We later participated in the Camry tsunami.


Domaines Ott and French rosé wines are the new hot summer drink. What I find most surprising from this article, though, is that Alex Kapranos, lead singer of Franz Ferdinand, is a food columnist for The Guardian, and Jay McInerney is wine columnist for House & Garden.


"My other vehicle is a Gulfstream." I just enjoy that article's title. Private air travel is tough on the environment because of the outrageous fuel consumption, so I always try to airpool when I take my jet to Aspen or Jackson Hole, cuz that's how I roll. Okay, that's not true. I've only flown in a private jet once, and that trip confirmed that private jets is heaven compared to the human cattle call that is commercial air travel.


Floyd Landis's B-sample came back positive, so his team Phonak fired him. Now USA Cycling and the US Anti-Doping Agency will prepare a case against him while Landis and his team prepare his defense. It will be months before we hear a verdict, though the court of public and media opinion works has already issued theirs. On the "Top Ten Landis Excuses" piece on David Letterman, number nine was "Who can resist Balco's delicious 'spicy chipotle' flavor." Landis posted a statement on his weblog yesterday and a response to the B-sample positive test today.


The pilot for Aaron Sorkin's new TV show Studio 60 on the Sunset Strip leaked onto YouTube this week, then was promptly pulled. So I can just link to this 6 minute promo (begins with a riff on Network, beats up on NBC's own SNL, and makes a joke about Sorkin's coke habit) and 30 second trailer. Anyhow, this is all an excuse to tell a short story about my apartment hunt in L.A. At the first apartment I went to visit in Santa Monica, a bald guy named Evan answered the door. He looked really familiar, like someone I'd seen on TV or in a movie, but I just couldn't place him. So I didn't say anything. He showed me his apartment and was really generous with his time, explaining the neighborhood and its nearby attractions. He mentioned that he'd done the New York to LA move also, and that I should keep an open mind to LA (I'm in depression over leaving NY for LA right now). He never mentioned his work, but after I left his apartment, and as I was filling out an application, I realized who he was. Evan played Charlotte's flame Harry Goldenblatt on Sex and the City, the role for which he's most known, and he'll be in the pilot of Studio 60 on the Sunset Strip. I didn't end up taking his apartment because I got a roommate and needed more space, but it seemed appropriate that he be one of the first people I met in LA.


Google announces "All Our N-gram are Belong to You," which I think is pretty generous of them.


Lowest common denominator


YouTube has the selection lead, and that has led it to a huge lead in the online video clip library space. It did the smart thing and went with a video format that almost anyone on any platform can play, and that is Flash video (.flv files).


But here's the thing: Flash video looks like crap. It is the Ford Escort of video formats. On many YouTube videos I feel like I'm trying to watch a 12-inch black-and-white television through the wrong end of binoculars. If you were to start a competitor to YouTube, and it would be silly to do so at this point, one thing you could do to win my allegiance is to use Quicktime as your default codec. Doesn't have to be HD. It doesn't even have to be another company; YouTube could offer Quicktime as the Lexus to its own Toyota.


If I want to watch a blank white screen with no sound (oh, how modern), I want to see it in quality.