Corddry leaves TDS, I leave NYC


I spent the entire weekend packing. I want to shoot myself. Before I go dark for my cross-country move, a few links from my final bit of housecleaning here.


I complained just the other week about the quality of YouTube videos. Stage6 is a YouTube knockoff, but using DivX encoding, so the video quality is much much better (for example, or another). Its selection is so miniscule it's laughable when compared to that of YouTube, but I look forward to the day when we surfers can have both selection and quality in online video aggregators. There's no reason we can't right now.


Speaking of YouTube, I'm Really, Really, Really Excited! Every hot new online community crowns its stars, and Bree (lonelygirl15) is YouTube's. I'm reminded of the mystery video footage which generated a cult-like following in William Gibson's Pattern Recognition.


Rob Corddry's has spread his wings and flown the Daily Show coop. Last Thursday was his last episode, and he follows in the footsteps of Colbert and Carell as Daily Show stars who sought greener pastures. The Daily Show is the Oakland A's of comedic television, launching talented funnymen but unable to retain their services once they achieve stardom. Except for Jon Stewart, of course. He's The Daily Show's Billy Beane, I guess.


I always wondered if the movie Sideways sank sales of merlot, and a brief scan of some older articles on the web seems to indicate only a mild effect, if any. But pinot noir sales got a boost. I'd been a fan of pinot noir for a few years before the movie came out, but the movie spurred a boost in production that has flooded the market with pinots that lack the earthy taste of the terroir that I loved. Many pinots now taste like syrahs, and it seems as if you have to spend upwards of $25 to $30 a bottle before you find a decent pinot.


Two researchers claim to have solved the "cocktail party problem," or how to separate one recorded voice from a group of other voices and sounds.


Tony Jaa's The Protector (I guess The Weinsteins weren't too impressed by its original title, Tom Yum Goong) is a huge letdown, especially after Ong Bak, but you wouldn't know it from the trailer, which features Jaa depositing his elbow and knees in a variety of unfortunate stuntmen.


Majority of "To Cross Street Push Button" buttons in NYC are placebos. I've long suspected that most "Close Door" buttons in elevators are also dummies, also.