Thanksgiving--an oldie but goodie

Thanksgiving and Xmas are the king of holidays in my world. Without fail, sometime in this next month, I'll get emotional over the smell of Thanksgiving dinner wafting from the kitchen, the sight of a robotic store display in a New York department store, the twinkling of white lights twined through bare branches of city trees, or the airing of the Charlie Brown Thankgiving Special or the stop-motion Rudolph/Frosty television specials.
I haven't strayed too far from tradition, but one of these years I'd like to try a turducken, a chicken stuffed in a duck stuffed in a turkey. It sounds ridiculous and gluttonous, like the purest of comfort foods, and isn't that part of what the holidays are all about? What better to fill the emotional holes in one's life and to relieve the vulnerabilities which Xmas and Thanksgiving expose than to stuff one's belly? I've also never had a Christmas goose, and it seems to be a canonical Xmas dinner in literature and film. I have no idea if a goose is tasty, but the words "Christmas goose" just sound cozy.
I draw the line at tofurkey, though. It was served in the company cafeteria this week to address the vegetarians and vegans among us. Tofurkey looks like smooth, round slices of Gouda cheese that been dipped in soy sauce. Even Google questions the choice of tofurkey: if you type in tofurkey in Google, the first line reads:
Did you mean: turkey

Review: The Two Towers, Platinum Extended Edition DVD

Dan had folks over to watch the new extended edition of LOTR: The Two Towers on DVD Friday night. It was an ambitious undertaking for a Friday evening, after a long work week. We had to take an intermission at the disc change for pizza, and another break later for pie and ice cream just to avoid passing out.
The added footage explains the story with greater clarity and adds details that readers of the books will welcome. It gives the story the heft and pace of a quest or a long journey, more similar in feel to the novels, and it added some moments of levity which were needed in the extended version. At times, all of us would totter, eyelids growing heavy, like Frodo whenever the ring tightened its hold over him, but the movie was good enough to pull us through. Those who napped could feel like they had gotten a few hours of good sleep and awaken to find a few hours of movie still remaining: "Wait, you mean they still haven't started the Battle of Helm's Deep?!"
I'm ready now for The Return of the King. And, in a way, I feel a bit less anguish about not having tickets to the Trilogy airing on Dec. 16th. I've seen the first two so many times now that to sit through both of the extended editions again, back to back, might be so draining that it would detract from the ROTK viewing. Bring on da king.
[Footnote: my complaint to AMC about their Trilogy ticket sale fiasco didn't go on deaf ears, and I was given the opportunity to purchase a few tickets to the opening morning 11am showing of ROTK at Cinerama on Dec. 17 before they went on sale to the public. I decided that the 2:30am showing was just a bit too sadistic. Maybe I'm getting old.]

Limbo

My move and work have consumed my life. During the day, it's all about work, and at night I try to make some progress unpacking a few things. I feel exactly as I felt when I first moved to Seattle and lived on Joe and Linda's couch--completely dislocated. And when I look back at myself then and now, have I made any progress? Sometimes I feel like the same person.
An unsettled living space is not an inviting place to return to each night. It's the inevitable pain of moving, I suppose, yet the sheer difficulty of setting up new services seems unnecessary. I still don't have phone service, and Qwest wants to send out a technician, but only at an $85 fee. I think it's a scam to get me to sign up for the $4.75 per month line maintenance service. No one seems to be able to do any work during the weekends, so it's a constant struggle to find time away from work to let these folks in.
I also had to sell my TV to Sang because it just doesn't fit through any doors to the basement. Sang is getting the best of all worlds. He's rid his place of that pesky roommate but kept the sweet TV. I will give my television one last hug tonight and then we part ways. It's been tough not being able to unwind by popping in a movie and seeing it on a really big screen.
I also don't have Internet access at home yet. I feel like I'm living in the 80's again. Is this what Paris Hilton had to endure when filming The Simple Life? Am I part of some reality TV show conspiracy to deprive me of all modern technology and amenities? I've realized that I find it really hard to live without certain things: high speed Internet access, numerous grounded electrical outlets, a large video screen of some sort, satellite TV. I'm a techno-spoiled-brat.
Or perhaps I'm blaming the wrong disease for my malaise. I curled up my first Sunday morning in the new house with Tobias Wolff's new novel Old School and finished it in a few hours curled up on a sofa, and it was pure magic. And if the house were full of family and friends, the piles of unpacked boxes wouldn't mean a thing.
Thanksgiving couldn't come at a better time. A few days in the company of loved ones will warm up this cold heart.

Kasparov draws vs. X3D Fritz

I don't know why, but I love these man vs. computer chess matches. They are a perfect, concise metaphor for the conflict between man and machine (Matrix and Terminator movies notwithstanding). The most recent heavyweight bout in this sport was between Gary Kasparov, the chess master known among other things for losing to IBM's Deep Blue, and the reigning computer champ, X3D Fritz.
Why 3D? Because you can play against Fritz wearing these goggles that project a 3-dimensional chessboard that processes moves using voice recognition. Incredibly geeky and silly and unnecessary, and thus immensely appealing to a dork like myself. I myself am a lousy novice chess player, and I know it because when I watch Fritz and Kasparov go at it, I try to guess at possible next moves and am usually wrong.
However, I do appreciate the challenges inherent in this desperate struggle to prove oneself the master of chess. The basic problem is well-stated here. An average chess game involves about 40 moves, or 80 half moves, and each half-move offers on average about 40 options. In a typical game, the number of potential positions (arrangements of the board) is somewhere on the order of 10 to the 128th power (10^128), or more than the number of atoms in the entire universe (10 ^80)! Therefore, no computer can ever win simply by sifting through all possible positions. Even if it could, that would be one slow chess match.
But the goal is simply to defeat a human, and since the human mind is imperfect, the computer need only surpass humans in their ability to look ahead and process various positions. It was not as easy as one would think. Looking ahead just 3 moves into the future offers 4.1 billion possible combinations, and early computers couldn't process that quickly enough. Chess masters are able to look ahead 4 to 4.5 moves. But since then, a variety of advances (notably alpha-beta) and Moore's Law) have made it possible for computers to play at an amazingly high level. They are not quite yet at the level of the top chess playing humans in the world, who can look ahead 7 moves, but humans make mistakes under stress which can reduce their effectiveness.
Humans have not stood still, though. Knowing how computers are programmed, they've devised all sorts of means to neutralize a computer chess program's strengths. One strategy is to quickly exchange queens, depriving the computer of the strongest attacking piece. Another, used by Kasparov to crush X3D Fritz in game three, is to build a row of pawns. In one match, Boris Alterman built an entire solid horizontal wall of pawns against Deep Fritz. This overloads the computer with all sorts of positions because it cannot attack until it has broken through that wall, and breaking through requires a series of moves.
Meanwhile, chess programs having begun working on simulating and storing all possible outcomes of six-piece endings, to the point where if a match gets down to a six piece or fewer endgame, the computer will know immediately whether it can win, draw, or lose and how to achieve any possible victory. In such scenarios, the chess program becomes the perfect player. Humans don't want to go there.
Kasparov ended up with a 2-2 draw in his four game match against X3D Fritz. Kramnik drew with Deep Fritz 4-4 in what was billed as Man vs. Machine 2. So, for now, man and machine stand on opposite sides of the board, bruised and battered, but still standing.

Nothing says male bonding like Tupac: Resurrection

Excerpt from the Chicago Suntimes article on the Bulls upcoming West coast road trip:
[Jalen] Rose said the veterans will try to bond with the younger players by doing things together, such as seeing a movie.
''We like to call it a male-bonding situation,'' Rose said. ''We'll probably go see the Tupac movie, and just do things that allow you to understand your teammates have your best interests at heart.

Resurrection is the perfect title for that movie. Nobody in history has released more new albums after dying that Tupac, not even Elvis. The tagline on the official website says "This is my story"--he's even telling his life story from the grave. Why do people think Elvis is alive but not Tupac?

Odorless or not, it stinks

Friday and Saturday were the big moving days. Adding to my misery those days was the unique chill of early winter in Seattle, a chill that is compounded by rain and wind. It was one of those weekends in which all events seemed to conspire against me, inspiring a mild and debilitating self-pity that I loathed in myself.
Friday I discovered that my TV wouldn't fit through the door from the garage into the basement of my new place. The movers ended up leaving it upstairs in the living room. It just plain doesn't fit there, and I think I'll have to sell it. It kills me to have to sell it as I had it calibrated to my liking, and the HD picture is gorgeous. Those of you in Seattle who have the room for a rear projection set and want to step up to HD may be able to get a bargain.
After that setback, I stayed up until three in the morning trying to finish packing as much as possible for the movers who were showing up early the next morning. Having disassembled my bed, I slept in the guest room, and the feeling of strangeness and alienation I felt was the beginning of what is likely to be a long period of limbo that occupies the space between the familiarity of one's old bedroom and the onset of comfort in a new house.
Saturday morning was a flurry of activity. First, some delivery people who had a washer/dryer for the new house showed up an hour earlier than anticipated at the new house. Poor Sang, fresh off his first alcohol binge in years at a wedding, had to go over to the new house to let them in while I stayed behind to work with the movers, who had arrived. It took a good five hours to load their truck, drive over to the new house, and unload everything.
Then a Comcast guy came over to install an cable outlet in the basement. We went out to look at the stretch of wall where the cable would come in. There was a good spot just to the left of the gas meter where he could drill in. I assumed he could take things from there and went upstairs to try and unpack a few key things I needed.
While in my room, I suddenly detected a subtle odor. Soon it was not as subtle. It couldn't be...could it?
"Sir! Sir! We need to get out of the house right away!" shouted the cable technician from the basement.
He had drilled from the inside of the house out and somehow missed his target by a good several feet and drilled through the back of the gas meter itself. The meter was so close to the house that the fumes instantly flooded up from the basement through the entire house.
We ran out into the rain and called 911. The technician was bug-eyed, incredulous.
"It's been one of those days you wouldn't believe," he lamented. "I've never done anything like this before." I felt no pity for him because he was in his fluorescenet yellow rain suit, and I was in jeans and a t-shirt. It was some 35 degrees out, and I decided to go back in for my jacket and to check for any pilot lights, motivated less by bravery than thin skin.
I made it upstairs to get the only jacket I had unpacked, a light windbreaker, and had just gotten to the bottom of the stairs when I went all woozy in an instant from the fumes. I grabbed hold of the banister and slowly made my way outside. It was only after a minute of fresh air that the two of us could run back in and check for pilot lights.
The fire department showed, up, four men and a woman in full gear. Just backing the fire engine down the narrow street was a debacle, and I wondered if my neighbors were looking out their windows at me and speculating on whether they were witnessing the first antics of the new village idiot.
Eventually, the gas got shut off, the fire deparment took off after determining there was nothing they could do, a few Comcast supervisors showed up and offered apologies, then they and the technician left, and I was left standing in the rain, waiting for the fumes to clear. All the windows and doors were open, rain accumulating in the house, and I stood outside shivering, cataloging my miseries.
The Puget Sound Energy guy who finally showed up about two hours later was a character. An older white-haired guy, dressed in a grey one piece suit like a locomotive operator.
"Whooo-eeee," he exclaimed when he saw the gas meter, one hand on forehead and other hand on hip. "Yup, I figure these Comcast guys do something like this once a month." He removed the entire gas meter and turned it around. There was a pristine hole the size of a drill bit in its back plate. That the metal drill bit going through that metal plate hadn't sparked and blown the Comcast guy and myself sky high is, in hindsight, some consolation. The PSE tech put in an entirely new gas meter, numbers all reset to zeroes. Then he threw the other meter in his trunk and got set to go.
"When will it be safe for me to go back inside?" I asked.
"As soon as you can tolerate the odor, after you can't really smell it anymore."
"Is it dangerous?"
"Natural gas is the safest gas around. Oh, it'll give you a damn nasty headache, but it won't kill you. You know, natural gas is odorless. We give it an odor so you can smell it."
When I finally got back into the house, I had lost all will to unpack. My spirit was broken, so I went out to dinner in the company of friends and then to watch Master and Commander: The Far Side of the World. Never had the inside of an old wooden ship looked so cozy or inviting.

Moving sucks

Packing and moving is a pain in the ass. This is my moving week, and everyday I go home to a giant mess which needs to be thrown into boxes and taped up. I've realized that most of what I own are books, and books are especially difficult to pack and transport. Updating addresses, canceling and reestablishing services, that's all a hassle, too. If I make it to Saturday night, all my stuff intact, I'll treat myself to go see Master and Commander: The Far Side of the World.
Unpacking is fun, though. Empty spaces supporting an infinite number of possible arrangements. When everything is all boxed up, those first few days in a new house are like living in a ski lodge, or a giant tent.
Mostly, I look forward to compartmentalization of the various pursuits of my life into their own rooms. An office, a writing and video editing space, with just my books and computer equipment. A bedroom with just a bed. An entertainment room that's just about watching movies and listening to music.
Clarity and focus of function, clarity and focus of thought. It was why in college I always went to the library to study, to the basement cubicles to do research. I had to have absolutely no distractions around me, nothing except blank white walls, fluorescent light, the text I was studying, a pen, and blank paper. Perhaps, depending on the subject, I'd allow myself some music, but the soundproofing nature of the private cubicle walls was boon for my concentration.
In fact, I think at times I need to unplug my computer from the cable modem so I can't surf or receive e-mail. It's too easy in this day/age to devolve into purely an information consumer, addicted and passive.

Preview of LOTR: ROTK soundtrack

Soundtrack.net previews Howard Shore's soundtrack for Return of the King. More importantly, they have snippets of each track for preview as well. Shore's score for the first two entries of Peter Jackson's LOTR trilogy were magnificent, and before we all get to see ROTK, we'll be able to listen to the soundtrack which comes in three editions. Howard Shore, once again, bring in the heavyweights. This time it's Renee Fleming and famed flutist James Galway. And singing the now customary vocal concluding track is Annie Lennox. The preview snippet doesn't leave me wild about the Lennox track, but I'll reserve judgment until I hear it in full.
I particularly enjoy the way Jackson ended each of the first two movies. The moments are both emotional sighs and open-ended looks to the future, and they have shared visual and musical DNA: Frodo and Sam together, walking off towards more danger. The camera depicts Mordor's flaming mouth off in the distance and the music hints at the mystery and danger awaiting. In the Two Towers, that final shot is one where the camera rises up from the ground where Frodo and Sam are following Gollum to show Mordor looming in the distance, a camera move that signifies both the heightened danger they will encounter in ROTK and the higher stakes to which Jackson will elevate the movie.
The brief snippet of track 3 from the ROTK soundtrack includes the theme heard in the latter half of the ROTK trailer, heard during my favorite moment of the trailer in which Gandalf rides Shadowfax out to meet the enemy's army on the battlefield, his staff held high, glowing white hot. Dec. 17 couldn't come fast enough.

Google Deskbar

I've been playing with the Google Deskbar a bit this week. It's not quite the no-brainer-install that the Google Toolbar was. Since I almost always have a browser open, I always have the Google searchbox in the Google Toolbar close by. And I hate losing the horizontal space in the Windows Taskbar.
Still, I like two aspects of it. The first is that the results display in a compact, retractable window instead of opening a new browser window. Secondly, because it accesses Google Calculator, I use it as such. It's a lot faster than firing up Excel or Windows crappy calculator, and it allows me to enter expressions.

Eternal Sunshine of the Spotless Mind

Trailer for this movie is available in Quicktime now. The premise, as you'd expect from a Charlie Kauffman script, is intriguing: what if you could erase unpleasant memories? Jim Carrey has his unpleasant memories of his relationship with Kate Winslet slowly erased. But, as he does, he finds he's falling back in love with her.
I would like to have some unpleasant memories wiped. I want to erase all memories of having seen The Matrix Reloaded and The Matrix Revolutions, to go back to that time when, after having seen The Matrix for the twelfth time, I learned that two more entries would be forthcoming, filling me with a sense of giddy anticipation.

Card counting

I burned through Bringing Down the House like so many hands of blackjack. Some clumsy, overheated prose, but the story is undeniably interesting. A bunch of MIT geeks learn to count cards, devise a sophisticated team counting scheme, and win millions from casinos around the U.S., especially those in Vegas. Includes mention of a faux riverboast casino in Illinois that I visited once or twice.
Especially appealing for geeks as it's one of the few stories where math nerds can parlay their smarts into dating nubile young NFL cheerleaders.

Matrix Not-so-Revolutionary

[Some spoilers here, so the paranoid should avoid reading on...]
If they had just ended after The Matrix, the first movie, if the Wachowski brothers had just faded back into oblivion after that first movie, we'd be hailing these cinematic geniuses who had made two great movies (Bound being the other one) and brought the debate about the nature of reality to the mainstream and made pop-philosophers of film geeks everywhere. I think back to what I thought after seeing the first, and now that I've seen the second and third, I wish I hadn't.
The inverse cost and quality law seems to have struck again. The Wachowski bros, backed by Ron Silver and the fat wallets of Warner Bros., got free reign to spend and overspend on the second and third of this trilogy, and the sum of the two combined not only failed to live up to the bar set by the first but have tarnished my memory of that original as well.
The Matrix offered a visually thrilling metaphor for a wide variety of philosophical debates, but it was never meant to be stretched to the limits which the second and third films forced it to (the first movie managed to tell not only an exciting action story, but it played loosely enough with its metaphor that it was ideologically coherent as well; for that reason it's a sci-fi marvel). Once the second movie played, though, all sorts of Matrix scholars began analyzing the movies as if the metaphor could be read as precisely and literally as a philosphy doctoral thesis (perhaps it was wishful thinking), but the third movie seems to play as if the Wachowski bros finally threw up their hands in the realization that it was impossible to stretch the philosophical analogy out any further without compromising the story so they just decided to sacrifice symbolic integrity for an orgy of CGI-addicted battle scenes.
What do characters like the Merovingian and Persephone represent? They get only a few minutes of screen time. Monica Bellucci's breasts get more dialogue than she does. What does the Train Man represent? Is the ending some sort of loose Christian allegory, or some sort of analogy to viruses which die off when they kill their host? The movie won't stand up to that level of scrutiny.
And while this movie has more action than the second, and while it's technically impressive, it's viscerally empty and logically unsatisfying. Why don't they put some sort of windshields on those robotic battle suits? Why the clunky interface for controlling them (you have to move each lever forward and back, forward and back, to move the legs, and it looks like it requires so much strength that only men have the strength to operate them). Why don't the humans store more EMPs around home base?
The first two episodes of this trilogy invited this type of analysis, so to seem so flimsy in the face of the spotlight is disappointing, especially considering the dialogue is still ponderous and most of the humans remain one-dimensional cutouts whose primary character development consists of their outfits.
It seems small-hearted to criticize an endeavor that obviously required gargantuan efforts on the part of so many people, one with such ambitious and impressive special effects. But, in part because of people like the Wachowski brothers, the bar on CGI special effects has been raised so high that even the most complex fight scenes, executed with the highest production values and precision, simply guarantee you a seat at the table. Story and acting still count.
Fortunately, in my film geek world, hope springs eternal. I did see the trailer for Troy, coming out May 2004, and the zoom out to reveal hundreds of ships tickled my movie nerve.

Innocence

From AICN: the sequel to the beautiful and influential Ghost in the Shell, titled Innocence, now has a website and a trailer. It's all in Japanese and so remains cryptic and a bit inaccessible (somewhat like the plot of the first movie).
With little fanfare, at least compared to The Matrix Reloaded, The Matrix Revolutions opens tomorrow. The influence of Ghost in the Shell on the Matrix series is obvious, especially in its visuals. And while I have little idea what the plot of Revolutions is, it appears from the trailer that Agent Smith has become some sort of virus that can replicate himself and infect hosts both human and machine and so Neo has to stop him. In that, Smith echoes the computer program that achieves consciousness and tries to merge itself with a human mind in Ghost in the Shell.
You can preview the soundtrack for The Matrix Revolutions. Or you can buy it. But unlike the other two soundtracks, this one is mostly Don Davis' score, and not heavy metal techno craziness. Not necessarily a bad thing, just different.

Where is the daylight we saved?

My grandfather on my dad's side passed away sometime in the night. He had been diagnosed recently with terminal cancer, and our entire family had planned to fly out next weekend to visit him. The timing seems particularly cruel.
I don't know much of his life history. My memory of him begins about the time when I first began to store permanent memories. Because of the way he carried himself, I like to imagine that long before I came on the scene, he was a famous war general in the Chinese army. He's the type of guy who just seemed like he'd live forever.
I've lost lots of people in my family to cancer, and I think it's particularly heartless and unfair when it attacks the elderly, whose bodies are unable to stand up to the brutal, vicious regimen of treatment that is all that modern medicine has to offer for cancer. Someone who lives to that age should be able to spend their remaining days free of such physical pain and suffering.
I spent part of the day calling airlines to see if they had any bereavement fares for a last-minute flight out to Atlanta this weekend. I've investigated this in the past, but I'd forgotten how low my expectations should have been set. Bereavement fares, for those airlines that even offer any, are merely ridiculous instead of preposterous.
The phone call in the middle of the night--is there any sound more foreboding?
If my perception of time wasn't linear and pointed forward towards old age, if my only memory was of the future not yet lived but most likely instead of a meandering childhood, what would I be doing right now with my life?
This is the month of converging life stressors. Others include having to move to a new house in a week and stressful project presentations at the office. When they gang up like this, it becomes difficult to contain them, to compartmentalize them. While trying to deal with one, I get distracted worrying about the others, and soon they all feel oppressive.
November is getting off to a strenuous start. And then we're compelled to switch our clocks back, for daylight savings time. And suddenly, life goes dark. What are we saving the daylight for? A rainy day? That's every day in a Seattle winter. Can you bank daylight? If not, why not use it while we have it?
Fall back indeed.

Neuromarketing

Self-destructing DVDs lived up to their name. Their poor consumer reception seemed eminently predictable, if not by common sense or consumer empathy, then perhaps using neuromarketing.
Neuromarketing?! Yep. Using an MRI, researchers can monitor your reaction to advertising and products at a neurological level. At least one company specializes in this field now, and oh doesn't their scientific-sounding jargon tickle and tempt the ears of marketers. It's straight out of sci-fi, and the company plans to apply their strategy to create motion pictures as well.