Batman: Death by Design

A Batman graphic novel reviewed in The New York Review of Books? Yes, when it's by acclaimed dust-jacked designer Chip Kidd and artist Dave Taylor.

Martin Filler writes a review which had me clicking the buy button on Batman: Death by Design as soon as I finished the last sentence. The book features a character named Kem Roomhaus ("an affected, narcissistic creep, but he's also a genius" is how none other than Batman describes him) who is a not-so-veiled riff on controversial architect Rem Koolhaas. In the eyes of Filler, "the megalomaniacal Dutchman drawn by Taylor bears less of a resemblance to the Nosferatu lookalike Koolhaas than to a somewhat chubbier Daniel Libeskind (minus his industrial-strength eyeglass frames.)".

Filler does such a good job decoding all the historical inspirations for characters and places in the book that the first comment on the review is from Chip Kidd himself (or at least I presume it's him, who knows):

Wow, Mr. Fller. I am truly humbled. You totally got everything, the first reviewer to do so. Thank you so, so much. Chip K

For Your Consideration

The Academy can save some money on greenscreening Seth MacFarlane's head popping up out of Noomi Rapace's stomach for the Oscar opening number. They can just play this video and then cut to Anne Hathaway for reaction shots, for which she'll be well-rehearsed, I'm sure.

Full disclosure, I have not yet seen Les Misérables [please read that with French pronunciation, dear readers]. After watching the above video 60 times on loop, with no break, I feel like I have, though.

It will be hard for her to escape these accusations of disingenuous surprise given how much want she exudes. However, on Oscar night, if Hathaway suddenly breaks into song during her acceptance speech and spends three minutes singing a rehearsed thank you speech, managing to harmonize with the orchestra's shoo-off music at the same time as she completely ignores it, I will be the first to lead the standing ovation.

♫ Do it for me ♫

♫ Anne with an E ♫

Sell Out

Simon Rich's comic novella Sell Out is being serialized in the New Yorker this week. It's about a guy who falls into a vat of pickle brine and is miraculously preserved for 100 years. When he wakes up, he meets his great great grandson, Simon Rich, in Brooklyn.

“Please,” I say. “I must know. What path have you chosen for your life?”

Simon smiles proudly at me.

“I’m a script doctor,” he says.

I shake my head with astonishment.

“That is so wonderful,” I say, my eyes filling up with tears. “I am so proud. I cannot believe my descendant is medical doctor.”

Simon averts his eyes.

“It’s actually just a screenwriting term,” he says. “ ‘Script doctor’ means I, like, punch up movie scripts.”

I stare at him blankly.

“ ‘Punch up’?”

“You know, like, add gags.”

“What sort of gags?”

He clears his throat.

“Let’s see.… Well, the script I’m working on now is about a guy who switches bodies with his pet dog? So I’m adding all these puns, like ‘I’m doggone mad!’ and ‘I’ve got a bone to pick with you!’ You know, things like that.”

A long time passes in silence.

“So you are not medical doctor.”

“No,” Simon admits. “I am not.”

That's from Part One of Four. Here are Parts Two and Three. Especially wonderful if you live in Brooklyn:

He leads me down Atlantic Avenue. We pass many strange peoples wearing tight pants and circus mustaches.

Vertical integration versus modularity

James Allworth places some of the blame for Boeing's 787 Dreamliner problems on Boeing's decision to modularize its production and design so early on.

In the creation of any truly new product or product category, it is almost invariably a big advantage to start out as integrated as possible. Why? Well, put simply, the more elements of the design that are under your control, the more effectively you're able to radically change the design of a product — you give your engineers more degrees of freedom. Similarly, being integrated means you don't have to understand what all the interdependencies are going to be between the components in a product that you haven't created yet (which, obviously, is pretty hard to do). And, as a result of that, you don't need to ask suppliers to contract over interconnects that haven't been created yet, either. Instead, you can put employees together of different disciplines and tell them to solve the problems together. Many of the problems they will encounter would not have been possible to anticipate; but that's ok, because they're not under contract to build a component — they've been employed to solve a problem. Their primary focus is on what the optimal solution is, and if that means changing multiple elements of the design, then they're not fighting a whole set of organizational incentives that discourage them from doing it.

Conversely, if you're trying to modularize something — particularly if you're trying to do it across organizational boundaries — you want to be absolutely sure that you know how all the pieces optimally work together, so everyone can just focus on their piece of the puzzle. If you've done it too soon and tried to modularize parts of an unsolved puzzle across suppliers, then each time one of those unanticipated problems or interdependencies arises, you have to cross corporate boundaries to make the necessary changes — changes which could dramatically impact the P&L of a supplier. Lawyers will probably need to get involved. So too might the other suppliers, who could quite possibly be required to change the design of their component, also (chances are, you've already contracted with them, too). The whole thing snowballs.

I just returned from Asymconf, and one of the things Horace Dediu likes to say is that vertical integration is the optimal strategy up until a product is good enough. Once it's good enough, then it's more ideal to modularize, or to start outsourcing more pieces of production.

Apple would seem to be taking the reverse approach with production of the iPhone. Earlier models were assembled from parts from a variety of suppliers, but for competitive reasons, especially vis a vis Samsung, Apple has started to bring more of the parts production in-house. Allworth believes the difference is that Apple "has mastered the art of managing design as an integrated process, while still utilizing outsourcing." It's also a strategy deeply ingrained in Apple's DNA.

One other company comes to mind, one that also takes a consistent vertical integration approach to their production in an industry in which the dominant model is more one of breaking production up. It is related to Apple and also located in the Bay Area. Any guesses?

Yep: Pixar.