Life of a condom

When MetroCard meets GameStop PowerUp Card Jordi Hirschfeld, he looks at me and says, No wonder Jordi Hirschfeld not yet use you. I become confused. Use me for what?

That night, MetroCard tells me many strange things about myself. At first, I do not believe what he says. But he insists all is true. When I start to panic, he laughs. He says, What did you think you were for? I am too embarrassed to admit truth, which is that I thought I was balloon.
 

Simon Rich, son of Frank Rich, is one of my favorite humorists. I wrote here about his great four-part comedic story “Sell Out” a while ago (you can start with Part One), and another of his comic masterpieces “Guy Walks Into Bar” has been atop The New Yorker's Most Popular list for much of the time since they opened their archives for the summer.

The excerpt above is from his short “Unprotected: Life of a condom.” It reminds me of this Google commercial.

The state of the romantic comedy

Richard Brody, perhaps the most interesting film critic working now (ironically he is relegated almost entirely to the online blog or Talk About Town sections of The New Yorker while colleagues David Denby and Anthony Lane split the weekly movie reviews), discusses romantic comedies with an aside on the new movie Sex Tape.

The modern romantic comedy is stretched on the rack of a dichotomy, one that I wrote about here a few years ago: the possibility of a polar disconnect between love and desire, between a meeting of the minds and a connection of the bodies. The classic romance, whether comic or tragic, is built on desire igniting a conflict that has to be resolved for a relationship to grow; modern romance is based on the premise of emotional and intellectual compatibility, the effort to kindle the sparks of love from friendship.
 

From the article linked in that excerpt:

In our time, the problem isn’t finding a reason to act on attraction (though Eric Rohmer has given us plenty of reasons not to), it’s whether there’s a point to having a relationship afterwards—it isn’t getting together but staying together. We’re forthright enough about desire to distinguish it from the many other things that life is made of; it’s necessary but not sufficient. The twist of “Knocked Up” is that desire quickly yields to practicalities; the terrible pathos of “Funny People” is that fierce mutual desire turns out not to be enough. The title of “The Royal Tenenbaums” could be (with apologies to Hal Hartley) “Surviving Desire.” What makes modern romance complicated is that our expectations are surprisingly high—they take in desire and four-syllable words, a meeting of the minds as well as an erotic charge. And the wisdom of our modern-day romantics, whether Judd Apatow or Wes Anderson or Noah Baumbach or James Gray or Peyton Reed, is not Hitchcock’s but Joe E. Brown’s (rather, Billy Wilder and I. A. L. Diamond’s): “Well, nobody’s perfect.”
 

The increased expectations for marriage is a topic I've covered here before:

Our expectations of our spouses have been lifted to new heights, and it's only natural that the romantic comedy would start to reflect that.

Incidentally, Grantland spent all of last week on romantic comedies, and a related piece of note is Wesley Morris' essay Knocked Out: Have romantic comedies become obsolete?

The downside of telecommuting

Robin Hanson on why telecommuting hasn't become more prevalent:

The standard proximate cause, described in the quote above, is that workers and their bosses get a lot of detailed emotional info via frequent in-person meetings. Such detailed emotional info can help to build stronger feelings of mutual trust and affiliation. But the key question is, why are firms willing to pay so much for that? How does it help firm productivity enough to pay for its huge costs?

My guess: frequent detailed emotional info helps political coalitions, even if not firms. Being able to read detailed loyalty signals is central to maintaining political coalitions. The strongest coalitions take over firms and push policies that help them resist their rivals. If a firm part adopted local policies that weakened the abilities of locals to play politics, that part would be taken over by coalitions from other parts of the firm, who would then push for policies that help them. A lack of telecommuting is only one of a long list of examples of inefficient firm policies than can be reasonably be attributed to coalition politics.

Minecraft as platform

Fun appreciation of Minecraft by Robin Sloan.

To play, you must seek information elsewhere.

Was it a conscious decision? A strategic bit of design? I don’t know. Maybe Markus Persson always intended to create an in-game tutorial but never got around to it. If so: lucky him, and lucky us, because by requiring the secret knowledge to be stored, and sought, elsewhere, he laid the foundation for Minecraft’s true form.

Minecraft-the-game, maintained in Sweden by Persson’s small studio, is just the seed, or maybe the soil. The true Minecraft (no italics, for we are speaking of something larger now) is the game plus the sprawling network of tutorials, wikis, galleries, videos—seriously, search for “minecraft” on YouTube and be amazed—mods, forum threads, and more. The true Minecraft is the oral tradition: secrets and rumors shared in chat rooms, across cafeteria tables, between block-faced players inside the game itself.
 

When I first started working on the Amazon Web Services team in 2003, one of the things Jeff Bezos hammered home to us was the importance of building everything at the most atomic level possible so they could be reassembled in ways unimaginable even to us. I had lunch with him once and we were talking about our interests outside of work, and he mentioned his love of this book Creation: Life and How to Make It by Steve Grand. The book discusses, among other things, how complex things can be built if you have the right building blocks, and one of the most important attributes of those building blocks was that they be defined as simply and atomically as possible.

So, for example, when we discussed a payment web service, Jeff didn't want a security layer built in. That was something separate from the core of an atomic payments service which should just be about sending and receiving money. 

I have not played Minecraft before, but Sloan's article gives me the sense it has that same atomic nature that characterizes generative platforms for really creative work.

My favorite networked services all have that quality, but capturing value from these building blocks in the form of revenue is a trickier problem and often involves building products and services on top of that very platform.

One of my favorite and most beautifully atomic building blocks of the web, Twitter, is grappling with that same issue. I've been meaning to share some thoughts on some possible ways forward for Twitter because the possibilities are fun to contemplate and it's a service I really love. That's a subject for another post, but suffice it to say that they have huge potential given their elegant architecture, and that can be both a blessing and a curse as some Chinese proverb goes. 

The biology of risk

That was the title of a fascinating opinion piece by John Coates from back in early June in the NYTimes.

Most of us tend to believe that stress is largely a psychological phenomenon, a state of being upset because something nasty has happened. But if you want to understand stress you must disabuse yourself of that view. The stress response is largely physical: It is your body priming itself for impending movement.

As such, most stress is not, well, stressful. For example, when you walk to the coffee room at work, your muscles need fuel, so the stress hormones adrenaline and cortisol recruit glucose from your liver and muscles; you need oxygen to burn this fuel, so your breathing increases ever so slightly; and you need to deliver this fuel and oxygen to cells throughout your body, so your heart gently speeds up and blood pressure increases. This suite of physical reactions forms the core of the stress response, and, as you can see, there is nothing nasty about it at all.

Far from it. Many forms of stress, like playing sports, trading the markets, even watching an action movie, are highly enjoyable. In moderate amounts, we get a rush from stress, we thrive on risk taking. In fact, the stress response is such a healthy part of our lives that we should stop calling it stress at all and call it, say, the challenge response.
 

Coates notes that the challenge response in humans is particularly sensitive to uncertainty and novelty, causing an elevation in cortisol which reduces our appetite for risk.

Based on that thesis, Coates argues that in reducing uncertainty about upcoming interest rate movies, Greenspan and Bernanke have actually “one of the most powerful brakes on excessive risk taking in stocks was released,” leading to much greater stock market volatility and more dramatic stock market booms and busts.

It may seem counterintuitive to use uncertainty to quell volatility. But a small amount of uncertainty surrounding short-term interest rates may act much like a vaccine immunizing the stock market against bubbles. More generally, if we view humans as embodied brains instead of disembodied minds, we can see that the risk-taking pathologies found in traders also lead chief executives, trial lawyers, oil executives and others to swing from excessive and ill-conceived risks to petrified risk aversion. It will also teach us to manage these risk takers, much as sport physiologists manage athletes, to stabilize their risk taking and to lower stress.
 

I watched more soccer (I'd use football but most posts tagged football in my blog will be about the American rendition, so for disambiguation I'm going to use what soccer fans would consider the profane nomenclature) than I have in my entire life up until now this summer because of the World Cup. People put on the game in the office, and everywhere I went it seemed some American TV was dialed to a game.

[This is a topic for another post, but I am curious about what drove this noticeable uptick in interest in soccer in the U.S. this summer. Was it the greater build out of social media? The success of the U.S. team? Increased coverage on ESPN? The fact that games were in the U.S. timezone this time, unlike the next World Cup or this past Winter Olympics? The rise of MLS? All or none of the above?]

While I'm far from a soccer expert, I did detect a noticeable tightening of game play in overtime. This could purely be because of fatigue, but it led to a less interesting form of play in those periods.

Coates' theory of the relationship between risk-taking and uncertainty reminded me of one of my pet peeves about many sports: the many mental traps that reduce risk-taking in athletes and coaches. From a sports design perspective, I'd argue that fans would prefer greater daring from players and teams more often. Volatility, with dramatic boom and busts, may be not be desirable when it comes to your finances, but in sports and entertainment it's the building block for more compelling drama.

It's not just soccer. The reluctance of football coaches to go for it on fourth down more often is another example where reduced risk lowers entertainment value. The irony is that mathematically, what feels like riskier behavior may be the more rational play. The math supports going for it on fourth down most if not all the time. In soccer, ending overtime deadlocked leads to the randomness of penalty kicks. I'm not conversant on the statistics around soccer, but leaving your fate to penalty kicks feels less certain than just trying to win in overtime.

If the players and coaches won't behave rationally, however, they can have their hands forced by rule changes. What if the NFL just banned punting? Everyone would go for it on fourth down, and I'm confident that would be a more exciting game. What if soccer's overtime were sudden death?

My ideal sports design guiding philosophy: maximize entropy but still reward skilled play. That is, you can let the rough at the U.S. Open grow wild so golfers have to try to stay in the fairways or risk having to hack their way out of the weeds. You can shorten the first round 7 game series in the NBA to 5 games to give the underdog a greater chance.

Don't design a game so skill-based that the outcome is never in doubt. There's a reason why people don't watch televised checkers. But also don't design a game so random that every contestant has an equal chance of winning regardless of skill. You might as well watch two teams flip a coin.