Optimal blog post lengths

Related to my note the other day on the ideal length of various pieces of art, a post on Medium reveals that the optimal post length there (if your criteria is what length Medium post entices readers to spend the most time on it) is 7 minutes.

The post revealing this was, appropriately, 7 minutes in reading time.

[Somewhat related: I don't ever find myself glancing at the estimated time to read figure on any of Medium's posts. I'm not sure if it's because I am time insensitive or that my sense of time is so subjective that I just ignore the numbers, or if it's something else. Do others find reading time estimates for content useful?]

Why we love lists

The article-as-numbered-list has several features that make it inherently captivating: the headline catches our eye in a stream of content; it positions its subject within a pre-existing category and classification system, like “talented animals”; it spatially organizes the information; and it promises a story that’s finite, whose length has been quantified upfront. Together, these create an easy reading experience, in which the mental heavy lifting of conceptualization, categorization, and analysis is completed well in advance of actual consumption—a bit like sipping green juice instead of munching on a bundle of kale. And there’s little that our brains crave more than effortlessly acquired data.

Whenever we encounter new information, our brains immediately try to make sense of it. Once they figure out what we’re seeing in a physical sense, they work to provide personal context and decide if it’s relevant enough to focus on further. The process is instantaneous: we don’t even realize we’ve made a choice in the time our minds have selected one path or another. Our gaze either stops, or we simply keep scanning. Recall a time when you were spacing out while skimming a stream of content and then, without quite knowing why, found yourself pausing to actually process the words. What made you stop and focus? On a physical level, the answer is often simple: difference. Whenever we’re scanning the environment for nothing in particular, our visual system is arrested by the things that don’t fit—features that suddenly change or somehow stand out from the background. A headline that is graphically salient in some way has a greater chance of capturing our eye, and in an environment where dozens of headlines and stories vie for attention, numerals break up the visual field. Consider the contexts in which we’re most likely to debate which article to read: a publication’s home page, a Twitter feed, or a Facebook feed. Most of what we see is words and images (even though it often seems like Web pages or streams are composed of nothing but lists). In that context, numbers pop.

From Maria Konnikova at The New Yorker. In other words, why is Buzzfeed so popular. At a more general level, it speaks to the power of structuring large blocks of information. An alternative memorable way of implanting information in people's heads is through narrative, but it is not as compact as the list.

One of the dangers of the list is that forcing information to conform to that rigid format can influence how we both perceive and receive it. It's the reason Edward Tufte preaches the dangers of Powerpoint, which can “weaken verbal and spatial reasoning, and almost always corrupt statistical analysis.

At Amazon, Jeff Bezos hated when folks would bring giant Powerpoint decks to present to him. While you'd be speaking to your first slide he'd already flipped to the end of the deck, having absorbed it all, and would start firing questions at you about slide 27. After a while he was so sick of the whole charade he banned Powerpoints and forced everyone to start bringing ideas to him in prose form.

Painful for some, but I love writing and dislike making presentations (usually) so I thought it was a great change. Writing is, to me, still generally the most efficient way to communicate ideas in all their complexity. Of course, for some forms of information, like data, nothing beats a well-constructed chart. But most great thinking is stripped of all substance when compressed into a few bullet points, and the time spent formatting slides for a deck is wasted time that few busy professionals can afford.

From a glass half empty perspective, it's alarming how much of the list's appeal lies in our brain's inherent laziness.

In the current media environment, a list is perfectly designed for our brain. We are drawn to it intuitively, we process it more efficiently, and we retain it with little effort. Faced with a detailed discussion of policies toward China or five insane buildings under construction in Shanghai, we tend to choose the latter bite-sized option, even when we know we will not be entirely satisfied by it. And that’s just fine, as long as we realize that our fast-food information diet is necessarily limited in content and nuance, and thus unlikely to contain the nutritional value of the more in-depth analysis of traditional articles that rely on paragraphs, not bullet points.

Still, this list at Buzzfeed of the 25 best Taylor Swift Audience-Dancing Moments of All Time is undeniably great. Tay-tay be rocking out, yo. Looking forward to Konnikova analyzing the brain appeal of the animated GIF in a future post. [I'm only half joking; the hypnotic looped visual imagery of animated GIFs have a hypnotic effect that must trigger something in our animalistic brain wiring]

Guy Walks Into a Bar

So a guy walks into a bar one day and he can't believe his eyes. There, in the corner, there's this one-foot-tall man, in a little tuxedo, playing a tiny grand piano.

So the guy asks the bartender, “Where'd he come from?”

And the bartender's, like, “There's a genie in the men's room who grants wishes.”

So the guy runs into the men's room and, sure enough, there's this genie. And the genie's, like, “Your wish is my command.” So the guy's, like, “O.K., I wish for world peace.” And there's this big cloud of smoke—and then the room fills up with geese.

So the guy walks out of the men's room and he's, like, “Hey, bartender, I think your genie might be hard of hearing.”

And the bartender's, like, “No kidding. You think I wished for a twelve-inch pianist?”

This piece by Simon Rich is behind the New Yorker paywall, but many of you probably have a subscription, right? The opening excerpt above works as a stand-alone joke, but the piece goes on from there to places unanticipated.

I don't often read the humor pieces in The New Yorker, but when I do, I read the ones by Simon Rich.

How stereotypes persist

Martin and his family may be what politicians and teachers say is the American ideal, but the actual rewards -- the acting jobs, the record deals, the social acceptance, the money -- largely go to the African-Americans who exemplify the N-word, who embrace the suffocating, limiting image of male blackness. The decision to perpetuate this image isn't made solely by the black community but by the white suits who decided long ago how the part is supposed to look and what black behavior they will compensate; think of that LeBron cover again. Corporations seem to doubt the authenticity and marketability of black men who live outside the primal construct.

This represents the ultimate victory of racism: the belief that exists among both whites and blacks that being educated, being articulate, having manners, is the sole province of being white. It is why Jonathan Martin appears so foreign, so threatening, to his teammates, and why a nothing like Richie Incognito makes them feel right at home.

Howard Bryant on how powerfully the stereotype of the angry and primal black man persists, aided by an entertainment industry that packages and resells it.

Cards Against Humanity: Giffen good?

It's rare, but sometimes the demand curve slopes up, the so-called Giffen Paradox. On Black Friday, the creators of the hilarious game Cards Against Humanity decided to raise their price by $5 from $25 to $30. On his Tumblr, creator Max Temkin recapped what happened:

We called our contact at Amazon and explained the idea for the sale to them. They thought it was funny but were also pretty annoyed - apparently monkeying with pricing on the biggest sales day of the year isn’t as funny to Amazon as it is to us.

Reception

The sale made people laugh, it was widely shared on Twitter and Tumblr, and it was the top post on Reddit. The press picked it up, and it was reported in The GuardianUSA TodayPolygonBuzzFeedAll Things DChicagoist, and AdWeek. It was even the top comment onThe Wirecutter’s front page AMA, which had nothing to do with us.

I was pretty sure that our fans would be into the “$5 more” sale, but I had no idea that it would turn a day where we’d normally be totally overlooked into a huge press hit for the game.

Sales

So how did we do? A little better than last year. We kept our position as the best-selling toy or game on Amazon. My guess is that peoples’ buying decisions just weren’t that affected by $5.

The interesting thing to note is that we got a nice lift in our sales the day after Black Friday (“Regret Saturday”). That might be from people who were waiting to buy the game until it came back down in price, or, more likely, those are sales from people who heard about the game after our Black Friday press. Not bad for an ad that paid us to run it.

When they say any PR is good PR, what they mean is that sometimes it's good to just break through the noise, regardless of why, especially if you're a smaller player. In those cases, the economic benefits from increased awareness outweigh any downward sales pressure from the negative PR since not enough people know about you anyhow.

In this case, it worked even better because Cards Against Humanity is already a subversive brand. It's not for nothing their tagline is “a party game for horrible people.” While I don't think this would hold in the long run, it was a fun one-day stunt on a day that was otherwise a torrent of deal spam and indignant tweets complaining about the commercialization of all that is sacred.