Movie as dance
Bilge Ebiri has a beautiful and insightful interpretation of Terrence Malick's To the Wonder. I caught the movie at the Toronto Film Festival last September and enjoyed it. Many have criticized To the Wonder as being slight in scope as compared to The Tree of Life, but one could have said that about just about any movie that came after a movie that sought to understand the meaning of life and the universe. That criticism feels simply like a matter of sequencing.
Ebiri's insight is that Malick's desire to structure his movies more like musical pieces, with movements, rather than using the traditional act-based narrative structure of classical screenwriting, extended in a very unique way to To the Wonder.
"When I first saw To the Wonder, it seemed clear that Malick had gone further in this direction. The movie unfolded more like a piece of music than anything else, rhythmic and fluid and concerned more with the emotional valence of a given scene rather than its narrative value. The second time I saw the film, however, I was floored. Yes, Malick had furthered his approach, but I hadn’t realized to what extent. And I think that herein lies the key to the film.
The fact is, the performers in To the Wonder are not acting; they’re dancing.
I don’t mean that metaphorically, either. They are almost literally dancing. The movie is, for all intents and purposes, a ballet."
To the Wonder has not opened yet, but watch the trailer. Observe the choreography of movement of camera and human bodies just in select shots and you'll understand what Ebiri means. The Tree of Life stayed with me longer, but To the Wonder was rapturous in its own way.
Ebiri's discussion of movie and dance spurred a memory of another movie where music and image came together, for just a scene, as dance. Given how rarely movies attempt to become a dance (I'm excluding movies that are explicitly musicals here), I wanted to revisit that movie and that scene.
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